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“Project Censored continues to be an invaluable resource in exposing and highlighting shocking stories that are routinely minimized or ignored by the corporate media. The vital nature of this work is underscored by this year’s NSA leaks. The world needs more brave whistle blowers and independent journalists in the service of reclaiming democracy and challenging the abuse of power. Project Censored stands out for its commitment to such work.” —Deepa Kumar, author of Islamophobia and the Politics of Empire and associate professor of Media Studies and Middle Eastern Studies at Rutgers University
“Project Censored shines a spotlight on news that an informed public must have . . . a vital contribution to our democratic process.” —Rhoda H. Karpatkin, president, Consumer’s Union
“[Censored] should be affixed to the bulletin boards in every newsroom in America. And, perhaps read aloud to a few publishers and television executives.” —Ralph Nader
Buy it, read it, act on it. Our future depends on the knowledge this col-lection of suppressed stories allows us.” —San Diego Review
“At a time when the need for independent journalism and for media outlets unaffiliated with and untainted by the government and corporate sponsors is greater than ever, Project Censored has created a context for reporting the complete truths in all matters that matter. . . . It is therefore left to us to find sources for information we can trust. . . . It is in this task that we are fortunate to have an ally like Project Cen-sored.” —Dahr Jamail
“[Censored] offers devastating evidence of the dumbing-down of main-stream news in America. . . . Required reading for broadcasters, journalists, and well-informed citizens.” —Los Angeles Times
“Project Censored is one of the organizations that we should listen to, to be assured that our newspapers and our broadcasting outlets are practicing thorough and ethical journalism.” —Walter Cronkite
“The staff of Project Censored presents their annual compilation of the previous year’s 25 stories most overlooked by the mainstream media along with essays about censorship and its consequences. The stories include an 813% rise in hate and anti-government groups since 2008, human rights violations by the US Border Patrol, and Israeli doctors injecting Ethiopian immigrants with birth control without their consent. Other stories focus on the environment, like the effects of fracking and Monsantos GMO seeds. The writers point out misinformation and outright deception in the media, including CNN relegating factual accounts to the “opinion” section and the whitewashing of Margaret Thatcher’s career following her death in 2013, unlike Hugo Chavez, who was routinely disparaged in the coverage following his death. One essay deals with the proliferation of “Junk Food News,” in which “CNN and Fox News devoted more time to ‘Gangnam Style’ than the renewal of Uganda’s ‘Kill the Gays’ law.” Another explains common media manipulation tactics and outlines practices to becoming a more engaged, free-thinking news consumer or even citizen journalist. Rob Williams remarks on Hollywood’s “deep and abiding role as a popular propaganda provider” via Argo and Zero Dark Thirty. An expose on working conditions in Chinese Apple factories is brutal yet essential reading. This book is evident of Project Censored’s profoundly important work in educating readers on current events and the skills needed to be a critical thinker.” -Publisher’s Weekly said about Censored 2014 (Oct.)
“Project Censored brings to light some of the most important stories of the year that you never saw or heard about. This is your chance to find out what got buried.” –Diane Ravitch, author of The Death and Life of the Great American School System.
“For ages, I’ve dreamed of a United States where Project Censored isn’t necessary, where these crucial stories and defining issues are on the front page of the New York Times, the cover of Time, and in heavy rotation on CNN. That world still doesn’t exist, but we always have Project Censored’s yearly book to pull together the most important things the corporate media ignored, missed, or botched.” –Russ Kick, author of You Are Being Lied To, Everything You Know Is Wrong, and the New York Times bestselling series The Graphic Canon.
“Those who read and support Project Censored are in the know.” —Cynthia McKinney
“Censored 2014 is a clarion call for truth telling. Not only does this volume highlight fearless speech in fateful times, it connect the dots between the key issues we face, lauds our whistleblowers and amplifies their voices, and shines light in the dark places of our government that most need exposure.” –Daniel Ellsberg, The Pentagon Papers
“Activist groups like Project Censored . . . are helping to build the media democracy movement. We have to challenge the powers that be and rebuild media from the bottom up.” —Amy Goodman
“In another home run for Project Censored, Censored 2013 shows how the American public has been bamboozled, snookered, and dumbed down by the corporate media. It is chock-full of ‘ah-ha’ moments where we understand just how we’ve been fleeced by banksters, stripped of our civil liberties, and blindly led down a path of never-ending war.” –Medea Benjamin, author of Drone Warfare, cofounder of Global Exchange and CODEPINK.
“Most journalists in the United States believe the press here is free. That grand illusion only helps obscure the fact that, by and large, the US corporate press does not report what’s really going on, while tuning out, or laughing off, all those who try to do just that. Americans–now more than ever–need those outlets that do labor to report some truth. Project Censored is not just among the bravest, smartest, and most rigorous of those outlets, but the only one that’s wholly focused on those stories that the corporate press ignores, downplays, and/or distorts. This latest book is therefore a must read for anyone who cares about this country, its tottering economy, and–most important– what’s now left of its democracy.” –Mark Crispin Miller, author, professor of media ecology, New York University.
“One of the most significant media research projects in the country.” —I. F. Stone
“Project Censored interrogates the present in the same way that Oliver Stone and I tried to interrogate the past in our Untold History of the United States. It not only shines a penetrating light on the American Empire and all its deadly, destructive, and deceitful actions, it does so at a time when the Obama administration is mounting a fierce effort to silence truth-tellers and whistleblowers. Project Censored provides the kind of fearless and honest journalism we so desperately need in these dangerous times.” —Peter Kuznick, professor of history, American University, and coauthor, with Oliver Stone, of The Untold History of the United States
“Hot news, cold truths, utterly uncensored.” —Greg Palast

10. The Pentagon’s Post-Cold War Black Budget is Alive and Prospering

Source: Mother Jones, 1663 Mission Street, 2nd Fl. San Francisco, CA 94103, Date: March/April 1992, Title: “The Pentagon’s Secret Stash,” Author: Tim Weiner

SYNOPSIS: Today, and every day, close to $100 million flows through underground pipelines from the U.S. Treasury to the Pentagon to fuel the national-security ma­chinery of the United States. The black budget (“black” in the sense of being un­seen, covert, hidden from light) is the secret treasury of the nation’s military and intelligence agencies. It is appropriated and spent with only the scantest public debate or media scrutiny.

Of the roughly $36 billion in the secret budget today, about $5 billion goes to build and develop weapons programs, many of which remain so highly classified that only the two most senior members of the congressional armed services and appropriations committees know anything about them.

Robert Costello, in charge of buying weapons at the Pentagon during the last years of the Reagan administration, said, “Inside the Pentagon the mind-set is, `I’m going to use secrecy to build my nice, isolated little cocoon.”‘ And when resi­dent skeptics criticized such secrecy, “They fired the bastards who wanted to put the screws on them.”

Why isn’t there more publicity? After all, public pressure and congressional anger forced the lid off the now famous B-2 bomber. And reporters and public­ policy advocates uncovered strange pro­grams with eerie names such as Timberwind (a Star Wars program to build a nuclear-powered rocket engine for mis­siles designed to shoot down incoming Soviet nukes), MILSTAR (a network of space satellites and blast-hardened ground stations that would endure a six-month nuclear war) and Island Sun (involving a convoy of generals hurtling down high­ways in lead-laced tractor-trailer trucks, dodging nuclear detonations and barking commands through scramblers-a Dr. Strangelove-style operation).

The realization that the Cold War has ended apparently has not yet penetrated the inner catacombs of the Pentagon nor stilled projects such as these. After a half­ century of lucrative and unchecked black budgets, starting with the Manhattan Project that brought us Hiroshima, the secret cache largely remains inviolate. The wall sur­rounding the black budget has proven more durable than the one that divided Berlin. Iran/contra exposed the inherent dangers of unexamined secrecy; the con­gressional investigation of Iran/contra re­vealed that the whole fiasco never could have happened without the machinery and cloak of the secret budget.

The solution is not difficult. Congress could demand disclosure of data on the cost and character of secret programs but has only done so on a piecemeal basis; nor has Congress ever confronted the underlying fact that the secrecy system itself defies the Constitution, which re­quires the government to publish a com­plete and accurate account of all federal spending.

“The fault lies with the Congress,” says Representative Pat Schroeder of Colo­rado. “If we forced the release of this information, there would be no issue. As long as the Congress goes along with the Pentagon’s secrecy program, we have no (legitimate) complaint.”

The “Pentagon’s Secret Billion-Dollar Black Budget,” also by Tim Weiner, was Project Censored’s #7 story of 1990. Weiner’s latest investigation reveals that the official end of the Cold War did not end the Pentagon’s secretive Cold War men­tality.

SSU Censored Researcher.- Damon S Van Hoesen

 COMMENTS: Tim Weiner, Washington correspondent for the Philadelphia In­quirer, has written extensively on the issue of the Pentagon’s black budget. However, he feels that the subject is still under-covered. Weiner’s work on the black budget won him the Pulitzer Prize for na­tional reporting in 1988; his book, Blank Check: The Pentagon’s Black Budget, was published in 1990.


Weiner believes that the press has a responsibility to warn the public about the dangers inherent in the secrecy surround­ing the Pentagon’s black budget, but there are reasons why it doesn’t fulfill that re­sponsibility. “The black budget is an ar­cane, obscure issue that takes a lot of time to explain,” Weiner says. “Further, it re­quires expertise in several different areas including espionage, government secrecy and large sums of money.”

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