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“In another home run for Project Censored, Censored 2013 shows how the American public has been bamboozled, snookered, and dumbed down by the corporate media. It is chock-full of ‘ah-ha’ moments where we understand just how we’ve been fleeced by banksters, stripped of our civil liberties, and blindly led down a path of never-ending war.” –Medea Benjamin, author of Drone Warfare, cofounder of Global Exchange and CODEPINK.
“One of the most significant media research projects in the country.” —I. F. Stone
Buy it, read it, act on it. Our future depends on the knowledge this col-lection of suppressed stories allows us.” —San Diego Review
“Project Censored interrogates the present in the same way that Oliver Stone and I tried to interrogate the past in our Untold History of the United States. It not only shines a penetrating light on the American Empire and all its deadly, destructive, and deceitful actions, it does so at a time when the Obama administration is mounting a fierce effort to silence truth-tellers and whistleblowers. Project Censored provides the kind of fearless and honest journalism we so desperately need in these dangerous times.” —Peter Kuznick, professor of history, American University, and coauthor, with Oliver Stone, of The Untold History of the United States
“Project Censored continues to be an invaluable resource in exposing and highlighting shocking stories that are routinely minimized or ignored by the corporate media. The vital nature of this work is underscored by this year’s NSA leaks. The world needs more brave whistle blowers and independent journalists in the service of reclaiming democracy and challenging the abuse of power. Project Censored stands out for its commitment to such work.” —Deepa Kumar, author of Islamophobia and the Politics of Empire and associate professor of Media Studies and Middle Eastern Studies at Rutgers University
“Project Censored shines a spotlight on news that an informed public must have . . . a vital contribution to our democratic process.” —Rhoda H. Karpatkin, president, Consumer’s Union
“Most journalists in the United States believe the press here is free. That grand illusion only helps obscure the fact that, by and large, the US corporate press does not report what’s really going on, while tuning out, or laughing off, all those who try to do just that. Americans–now more than ever–need those outlets that do labor to report some truth. Project Censored is not just among the bravest, smartest, and most rigorous of those outlets, but the only one that’s wholly focused on those stories that the corporate press ignores, downplays, and/or distorts. This latest book is therefore a must read for anyone who cares about this country, its tottering economy, and–most important– what’s now left of its democracy.” –Mark Crispin Miller, author, professor of media ecology, New York University.
“The staff of Project Censored presents their annual compilation of the previous year’s 25 stories most overlooked by the mainstream media along with essays about censorship and its consequences. The stories include an 813% rise in hate and anti-government groups since 2008, human rights violations by the US Border Patrol, and Israeli doctors injecting Ethiopian immigrants with birth control without their consent. Other stories focus on the environment, like the effects of fracking and Monsantos GMO seeds. The writers point out misinformation and outright deception in the media, including CNN relegating factual accounts to the “opinion” section and the whitewashing of Margaret Thatcher’s career following her death in 2013, unlike Hugo Chavez, who was routinely disparaged in the coverage following his death. One essay deals with the proliferation of “Junk Food News,” in which “CNN and Fox News devoted more time to ‘Gangnam Style’ than the renewal of Uganda’s ‘Kill the Gays’ law.” Another explains common media manipulation tactics and outlines practices to becoming a more engaged, free-thinking news consumer or even citizen journalist. Rob Williams remarks on Hollywood’s “deep and abiding role as a popular propaganda provider” via Argo and Zero Dark Thirty. An expose on working conditions in Chinese Apple factories is brutal yet essential reading. This book is evident of Project Censored’s profoundly important work in educating readers on current events and the skills needed to be a critical thinker.” -Publisher’s Weekly said about Censored 2014 (Oct.)
“Hot news, cold truths, utterly uncensored.” —Greg Palast
“At a time when the need for independent journalism and for media outlets unaffiliated with and untainted by the government and corporate sponsors is greater than ever, Project Censored has created a context for reporting the complete truths in all matters that matter. . . . It is therefore left to us to find sources for information we can trust. . . . It is in this task that we are fortunate to have an ally like Project Cen-sored.” —Dahr Jamail
“Project Censored is one of the organizations that we should listen to, to be assured that our newspapers and our broadcasting outlets are practicing thorough and ethical journalism.” —Walter Cronkite
“Project Censored brings to light some of the most important stories of the year that you never saw or heard about. This is your chance to find out what got buried.” –Diane Ravitch, author of The Death and Life of the Great American School System.
“For ages, I’ve dreamed of a United States where Project Censored isn’t necessary, where these crucial stories and defining issues are on the front page of the New York Times, the cover of Time, and in heavy rotation on CNN. That world still doesn’t exist, but we always have Project Censored’s yearly book to pull together the most important things the corporate media ignored, missed, or botched.” –Russ Kick, author of You Are Being Lied To, Everything You Know Is Wrong, and the New York Times bestselling series The Graphic Canon.
“[Censored] offers devastating evidence of the dumbing-down of main-stream news in America. . . . Required reading for broadcasters, journalists, and well-informed citizens.” —Los Angeles Times
“[Censored] should be affixed to the bulletin boards in every newsroom in America. And, perhaps read aloud to a few publishers and television executives.” —Ralph Nader
“Activist groups like Project Censored . . . are helping to build the media democracy movement. We have to challenge the powers that be and rebuild media from the bottom up.” —Amy Goodman
“Censored 2014 is a clarion call for truth telling. Not only does this volume highlight fearless speech in fateful times, it connect the dots between the key issues we face, lauds our whistleblowers and amplifies their voices, and shines light in the dark places of our government that most need exposure.” –Daniel Ellsberg, The Pentagon Papers
“Those who read and support Project Censored are in the know.” —Cynthia McKinney


For more than a year, Danny Casolaro, a Washington, D.C.-based freelance journalist, had been sorting through a web of intrigue — the S&L debacle, BCCI, Iran-contra, the contra-connected Wackenhut Corp., the Wackenhut-connected Inslaw case, and the Inslaw-connected “October Surprise.” The “Octopus,” as Casolaro called it, began with the U.S. Justice Department which, according to a federal bankruptcy court for Washington D.C., “stole” computer software (called Promis) from Inslaw Corp., a private firm, ‘by trickery, fraud, and deceit.”

During the week of August 5, Casolaro told a number of friends that he had just come back from meeting with a source, and that he now knew everything about Inslaw and Promis. He also told them that he was going back to West Virginia to meet a source who was to help him nail down the last piece of evidence in his investigation.

On Saturday, August 10, Casolaro was found dead in Room 517 of the Martinsburg, W.Va., Sheraton. His body was found with twelve incisions in his arms in a bathtub of bloody water. Though police have ruled Casolaro’s death a suicide, Casolaro’s family and many familiar with the case find suicide implausible. Unexplained questions include:

Death threats. In the weeks before his death Casolaro had spoken frequently about threats on his life. In fact, just before he left for Martinsburg he told his brother, “If anything happens to me, don’t believe it’s an accident.” For reasons unknown, Casolaro’s family wasn’t notified of his death until two days after his body was discovered. And by that time, his body had already been embalmed illegally. Additionally, the hotel almost immediately brought in an industrial cleaning company to sanitize the room, thereby greatly diminishing any opportunity for an independent forensic investigation.

The day before he died, Casolaro met with a source at the same hotel. But the stack of documents given to him by the source, as well as his tape deck and a briefcase containing a draft copy of his book, which he always carried with him, have never been found. Also unexplained, is a half-empty bottle of red wine and a broken wine glass that police found next to the bathtub, and an empty can of beer found inside the tub. No alcohol was found in Casolaro’s bloodstream.

‘The key thing about the death of Casolaro,” says former Attorney General Elliot Richardson, who is representing Inslaw, “is that although others were seeking to delineate … the ‘octopus,’ he was the only one who told people who have no reason to misrepresent what he said that he had hard evidence, and was on the point of getting conclusive evidence. … The idea that he committed suicide with a razor blade under these circumstances seems highly implausible.”


SOURCE: VILLAGE AGE VOICE,  36 Cooper Square, New York, NY 10003, DATE: 10/15/91

TITLE: ‘The Last Days of Danny Casolaro”

AUTHORS: James Ridgeway and Doug Vaughan

SOURCE: THE SAN FRANCISCO BAY GUARDIAN, 520 Hampshire St., San Francisco, CA 94110-1417, DATE: 8/28/91

TITLE: “Dead Men Tell No Tales”

AUTHOR: Vince Bielski

SOURCE: IN THESE TIMES, 2040 N. Milwaukee Ave., Chicago, IL 60647, DATE: September 4-10, 1991

TITLE: “Murder in the Martinsburg Sheraton?”

AUTHOR: Joel Bleifuss

COMMENTS: Reporter Joel Bleifuss, who also investigated the related Inslaw software theft issue, said “While the death of Journalist Danny Casolaro was given some initial notice by the mass media, that media ignored the context in which his mysterious death — murder — occurred. Casolaro was investigating what are possibly interconnected scandals — the October Surprise, the Inslaw case, the ‘private’ security firm Wackenhut, BCCI, organized crime and the Pentagon’s procurement process — none of which has been seriously examined by the national media.” Bleifuss added that fuller coverage of Casolaro’s death, would help focus public attention on the various scandals he was investigating. ‘That the mass media did not take this apparent murder more seriously is one more indication that this nation’s press corps has abandoned its role as the public watchdog,” Bleifuss concluded.

Journalist Vince Bielski charged that while “A number of mainstream outlets carried the news of Danny Casolaro’s death, no outlet did a serious investigation. The story was forgotten, as is the case with many controversial stories.” Bielski adds that the “public needs to know that reporters have been killed because of their work. This may or may not have been the case with Casolaro, but the public certainly deserved more information to help people make up their own minds.”

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