Connect With Us

“Activist groups like Project Censored . . . are helping to build the media democracy movement. We have to challenge the powers that be and rebuild media from the bottom up.” —Amy Goodman
“Project Censored is one of the organizations that we should listen to, to be assured that our newspapers and our broadcasting outlets are practicing thorough and ethical journalism.” —Walter Cronkite
“Project Censored shines a spotlight on news that an informed public must have . . . a vital contribution to our democratic process.” —Rhoda H. Karpatkin, president, Consumer’s Union
“Project Censored brings to light some of the most important stories of the year that you never saw or heard about. This is your chance to find out what got buried.” –Diane Ravitch, author of The Death and Life of the Great American School System.
“Censored 2014 is a clarion call for truth telling. Not only does this volume highlight fearless speech in fateful times, it connect the dots between the key issues we face, lauds our whistleblowers and amplifies their voices, and shines light in the dark places of our government that most need exposure.” –Daniel Ellsberg, The Pentagon Papers
Buy it, read it, act on it. Our future depends on the knowledge this col-lection of suppressed stories allows us.” —San Diego Review
“In another home run for Project Censored, Censored 2013 shows how the American public has been bamboozled, snookered, and dumbed down by the corporate media. It is chock-full of ‘ah-ha’ moments where we understand just how we’ve been fleeced by banksters, stripped of our civil liberties, and blindly led down a path of never-ending war.” –Medea Benjamin, author of Drone Warfare, cofounder of Global Exchange and CODEPINK.
“Those who read and support Project Censored are in the know.” —Cynthia McKinney
“At a time when the need for independent journalism and for media outlets unaffiliated with and untainted by the government and corporate sponsors is greater than ever, Project Censored has created a context for reporting the complete truths in all matters that matter. . . . It is therefore left to us to find sources for information we can trust. . . . It is in this task that we are fortunate to have an ally like Project Cen-sored.” —Dahr Jamail
“Hot news, cold truths, utterly uncensored.” —Greg Palast
“Project Censored continues to be an invaluable resource in exposing and highlighting shocking stories that are routinely minimized or ignored by the corporate media. The vital nature of this work is underscored by this year’s NSA leaks. The world needs more brave whistle blowers and independent journalists in the service of reclaiming democracy and challenging the abuse of power. Project Censored stands out for its commitment to such work.” —Deepa Kumar, author of Islamophobia and the Politics of Empire and associate professor of Media Studies and Middle Eastern Studies at Rutgers University
“[Censored] should be affixed to the bulletin boards in every newsroom in America. And, perhaps read aloud to a few publishers and television executives.” —Ralph Nader
“Project Censored interrogates the present in the same way that Oliver Stone and I tried to interrogate the past in our Untold History of the United States. It not only shines a penetrating light on the American Empire and all its deadly, destructive, and deceitful actions, it does so at a time when the Obama administration is mounting a fierce effort to silence truth-tellers and whistleblowers. Project Censored provides the kind of fearless and honest journalism we so desperately need in these dangerous times.” —Peter Kuznick, professor of history, American University, and coauthor, with Oliver Stone, of The Untold History of the United States
“The staff of Project Censored presents their annual compilation of the previous year’s 25 stories most overlooked by the mainstream media along with essays about censorship and its consequences. The stories include an 813% rise in hate and anti-government groups since 2008, human rights violations by the US Border Patrol, and Israeli doctors injecting Ethiopian immigrants with birth control without their consent. Other stories focus on the environment, like the effects of fracking and Monsantos GMO seeds. The writers point out misinformation and outright deception in the media, including CNN relegating factual accounts to the “opinion” section and the whitewashing of Margaret Thatcher’s career following her death in 2013, unlike Hugo Chavez, who was routinely disparaged in the coverage following his death. One essay deals with the proliferation of “Junk Food News,” in which “CNN and Fox News devoted more time to ‘Gangnam Style’ than the renewal of Uganda’s ‘Kill the Gays’ law.” Another explains common media manipulation tactics and outlines practices to becoming a more engaged, free-thinking news consumer or even citizen journalist. Rob Williams remarks on Hollywood’s “deep and abiding role as a popular propaganda provider” via Argo and Zero Dark Thirty. An expose on working conditions in Chinese Apple factories is brutal yet essential reading. This book is evident of Project Censored’s profoundly important work in educating readers on current events and the skills needed to be a critical thinker.” -Publisher’s Weekly said about Censored 2014 (Oct.)
“[Censored] offers devastating evidence of the dumbing-down of main-stream news in America. . . . Required reading for broadcasters, journalists, and well-informed citizens.” —Los Angeles Times
“For ages, I’ve dreamed of a United States where Project Censored isn’t necessary, where these crucial stories and defining issues are on the front page of the New York Times, the cover of Time, and in heavy rotation on CNN. That world still doesn’t exist, but we always have Project Censored’s yearly book to pull together the most important things the corporate media ignored, missed, or botched.” –Russ Kick, author of You Are Being Lied To, Everything You Know Is Wrong, and the New York Times bestselling series The Graphic Canon.
“One of the most significant media research projects in the country.” —I. F. Stone
“Most journalists in the United States believe the press here is free. That grand illusion only helps obscure the fact that, by and large, the US corporate press does not report what’s really going on, while tuning out, or laughing off, all those who try to do just that. Americans–now more than ever–need those outlets that do labor to report some truth. Project Censored is not just among the bravest, smartest, and most rigorous of those outlets, but the only one that’s wholly focused on those stories that the corporate press ignores, downplays, and/or distorts. This latest book is therefore a must read for anyone who cares about this country, its tottering economy, and–most important– what’s now left of its democracy.” –Mark Crispin Miller, author, professor of media ecology, New York University.

14. U.S. PUBLIC RELATIONS FIRMS PROFIT FROM BLOODY DICTATORSHIPS

Capitalism is alive and well in American public relations firms where no one wants to ask where the money comes from. Not content with run-of-the-mill product recognition, crisis management, and personality molding, firms are now hyping repressive dictatorships in international markets.

South Africa, Haiti, Indonesia, South Korea, and Turkey all have tapped their treasuries in order to hire American PR firms to perform some necessary cosmetic surgery. The Philippines, under Marcos, was a regular client of PR consultant John McHugh Stuart until recently.

Selling apartheid could be the ultimate PR challenge. Today there are 31 American firms, up from 22 in 1979, representing the South African government — giving it the most heavily endowed foreign propaganda machine in the United States. Bleaching civil rights atrocities makes for big business.

One of the firms, Baskin & Sears, was paid half a million dollars from 1981 to 1984 to “lobby, represent, advise, and assist” the repressive government. A typical example of their work: organize a cocktail party so that South African Foreign Minister Pik Botha could meet with Reagan administration officials; the cocktail party was followed by a dinner where Botha met with influential American journalists and correspondents.

When controversy developed over the firm doing business with both South Africa and the City of Pittsburgh, the firm had to choose between the two. The decision was made to drop Pik Botha. That is when John P. Sears, the original director of Ronald Reagan’s 1980 presidential bid, broke with Baskin so that he could continue to handle South Africa’s half-million-dollar account.

Turkey, labeled one of the worst human-rights violators in Europe by Helsinki Watch, signed on with Gray & Company in 1983 for an annual fee of $300,000. The goal was to increase Turkey’s economic and military aid from the U.S. Apparently Congress was persuaded of Turkey’s vital position for the West. In 1984, Turkey received nearly one billion dollars in economic and military aid, becoming the third largest recipient of U.S. foreign aid.

Possibly fearing that working for a dictator isn’t good p.r., public relations firms are defensive about their morally-murky accounts. Maintaining that they are not “manipulating the public dialogue,” firms say they are simply making sure that a foreign ambassador’s message gets across in Washington. The objective is to make sure no one is misunderstood. With million dollar fees, it would hardly appear otherwise.

 SOURCE:

  MOTHER JONES, “January 1985, “The Toughest Accounts,” by Greg Goldin, pp 27-31+.

Facebook Comments