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Buy it, read it, act on it. Our future depends on the knowledge this col-lection of suppressed stories allows us.” —San Diego Review
“Censored 2014 is a clarion call for truth telling. Not only does this volume highlight fearless speech in fateful times, it connect the dots between the key issues we face, lauds our whistleblowers and amplifies their voices, and shines light in the dark places of our government that most need exposure.” –Daniel Ellsberg, The Pentagon Papers
“Those who read and support Project Censored are in the know.” —Cynthia McKinney
“Project Censored brings to light some of the most important stories of the year that you never saw or heard about. This is your chance to find out what got buried.” –Diane Ravitch, author of The Death and Life of the Great American School System.
“Project Censored is one of the organizations that we should listen to, to be assured that our newspapers and our broadcasting outlets are practicing thorough and ethical journalism.” —Walter Cronkite
“The staff of Project Censored presents their annual compilation of the previous year’s 25 stories most overlooked by the mainstream media along with essays about censorship and its consequences. The stories include an 813% rise in hate and anti-government groups since 2008, human rights violations by the US Border Patrol, and Israeli doctors injecting Ethiopian immigrants with birth control without their consent. Other stories focus on the environment, like the effects of fracking and Monsantos GMO seeds. The writers point out misinformation and outright deception in the media, including CNN relegating factual accounts to the “opinion” section and the whitewashing of Margaret Thatcher’s career following her death in 2013, unlike Hugo Chavez, who was routinely disparaged in the coverage following his death. One essay deals with the proliferation of “Junk Food News,” in which “CNN and Fox News devoted more time to ‘Gangnam Style’ than the renewal of Uganda’s ‘Kill the Gays’ law.” Another explains common media manipulation tactics and outlines practices to becoming a more engaged, free-thinking news consumer or even citizen journalist. Rob Williams remarks on Hollywood’s “deep and abiding role as a popular propaganda provider” via Argo and Zero Dark Thirty. An expose on working conditions in Chinese Apple factories is brutal yet essential reading. This book is evident of Project Censored’s profoundly important work in educating readers on current events and the skills needed to be a critical thinker.” -Publisher’s Weekly said about Censored 2014 (Oct.)
“One of the most significant media research projects in the country.” —I. F. Stone
“For ages, I’ve dreamed of a United States where Project Censored isn’t necessary, where these crucial stories and defining issues are on the front page of the New York Times, the cover of Time, and in heavy rotation on CNN. That world still doesn’t exist, but we always have Project Censored’s yearly book to pull together the most important things the corporate media ignored, missed, or botched.” –Russ Kick, author of You Are Being Lied To, Everything You Know Is Wrong, and the New York Times bestselling series The Graphic Canon.
“At a time when the need for independent journalism and for media outlets unaffiliated with and untainted by the government and corporate sponsors is greater than ever, Project Censored has created a context for reporting the complete truths in all matters that matter. . . . It is therefore left to us to find sources for information we can trust. . . . It is in this task that we are fortunate to have an ally like Project Cen-sored.” —Dahr Jamail
“[Censored] should be affixed to the bulletin boards in every newsroom in America. And, perhaps read aloud to a few publishers and television executives.” —Ralph Nader
“In another home run for Project Censored, Censored 2013 shows how the American public has been bamboozled, snookered, and dumbed down by the corporate media. It is chock-full of ‘ah-ha’ moments where we understand just how we’ve been fleeced by banksters, stripped of our civil liberties, and blindly led down a path of never-ending war.” –Medea Benjamin, author of Drone Warfare, cofounder of Global Exchange and CODEPINK.
“[Censored] offers devastating evidence of the dumbing-down of main-stream news in America. . . . Required reading for broadcasters, journalists, and well-informed citizens.” —Los Angeles Times
“Activist groups like Project Censored . . . are helping to build the media democracy movement. We have to challenge the powers that be and rebuild media from the bottom up.” —Amy Goodman
“Project Censored continues to be an invaluable resource in exposing and highlighting shocking stories that are routinely minimized or ignored by the corporate media. The vital nature of this work is underscored by this year’s NSA leaks. The world needs more brave whistle blowers and independent journalists in the service of reclaiming democracy and challenging the abuse of power. Project Censored stands out for its commitment to such work.” —Deepa Kumar, author of Islamophobia and the Politics of Empire and associate professor of Media Studies and Middle Eastern Studies at Rutgers University
“Project Censored interrogates the present in the same way that Oliver Stone and I tried to interrogate the past in our Untold History of the United States. It not only shines a penetrating light on the American Empire and all its deadly, destructive, and deceitful actions, it does so at a time when the Obama administration is mounting a fierce effort to silence truth-tellers and whistleblowers. Project Censored provides the kind of fearless and honest journalism we so desperately need in these dangerous times.” —Peter Kuznick, professor of history, American University, and coauthor, with Oliver Stone, of The Untold History of the United States
“Hot news, cold truths, utterly uncensored.” —Greg Palast
“Most journalists in the United States believe the press here is free. That grand illusion only helps obscure the fact that, by and large, the US corporate press does not report what’s really going on, while tuning out, or laughing off, all those who try to do just that. Americans–now more than ever–need those outlets that do labor to report some truth. Project Censored is not just among the bravest, smartest, and most rigorous of those outlets, but the only one that’s wholly focused on those stories that the corporate press ignores, downplays, and/or distorts. This latest book is therefore a must read for anyone who cares about this country, its tottering economy, and–most important– what’s now left of its democracy.” –Mark Crispin Miller, author, professor of media ecology, New York University.
“Project Censored shines a spotlight on news that an informed public must have . . . a vital contribution to our democratic process.” —Rhoda H. Karpatkin, president, Consumer’s Union


Feldene is the most widely sold nonsteroid anti-inflammatory drug in the world. It is marketed in 106 countries to more than 20 million people. It is the most lucrative product sold by the Pfizer Corporation. And, according to critics, it also kills people. Since Feldene was introduced in the U.S. in 1982, the U.S. Food and Drug, Administration (FDA) has received a total of 2,621 non-fatal and 182. fatal adverse reaction reports associated with the drug’s use.

These figures, based on a November 1985 FDA printout, may greatly underestimate the total number of adverse reactions to Feldene. Dr. Sidney Wolfe, director of the Public Citizen Health Research Group in Washington, said “At least 1.75 million elderly. American people now receiving this drug are at risk of developing life-threatening gastrointestinal reactions.” He has petitioned the FDA to ban “as an imminent hazard to the public health” the use of Feldene in patients aged 60 and over. The National Council of Senior Citizens has urged the FDA to take the drug completely off the market.

Feldene can cause stomach and intestinal bleeding, ulcers, intestinal perforation, hematemesis (vomiting of blood), and melena (blood in stools). It also can cause congestive heart failure and reactions such as burning, itching, redness, and small swellings on the skin after brief exposure to light.

Feldene is the latest in a series of drug scandals in which giant pharmaceutical companies, as a matter of corporate policy, place profits before human life. But Feldene also represents a case study in how the FDA fails to perform its regulatory function. First the FDA bent the rules to allow Pfizer to market its product and then it took no action after the company repeatedly violated the law.

Pfizer originally submitted a new-drug application for Feldene to the FDA in March 1978 and again in May 1980. Both times the applications were rejected because Pfizer had not conducted the necessary tests. In September 1981, Pfizer resubmitted its application but it did not perform any new tests; it simply reanalyzed old data.

Then, while the FDA was still considering the application, Pfizer sponsored a reception at the meeting of the American Rheumatism Association in Boston and showed a film promoting Feldene which the FDA said was illegal. Nevertheless, on April 6, 1982, the FDA approved Feldene for use in the U.S.

And even while the FDA was deliberating on Pfizer’s application, Feldene users already were dying in Europe. The FDA did not learn of Feldene’s record in Europe until after it was approved. About six months after approval, Pfizer submitted 26 adverse drug reports from Britain; the reports showed the Pfizer may have held onto them as long as two and a half years. And between July and November 1983, Pfizer reported almost two dozen patient deaths in Europe. Aware of the potential impact of adverse publicity, Pfizer attempted to censor articles considered for publication in medical journals in Europe.


THE PROGRESSIVE, June 1986, “Death By Prescription,” by Matthew Rothschild, pp 18-22.

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