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“For ages, I’ve dreamed of a United States where Project Censored isn’t necessary, where these crucial stories and defining issues are on the front page of the New York Times, the cover of Time, and in heavy rotation on CNN. That world still doesn’t exist, but we always have Project Censored’s yearly book to pull together the most important things the corporate media ignored, missed, or botched.” –Russ Kick, author of You Are Being Lied To, Everything You Know Is Wrong, and the New York Times bestselling series The Graphic Canon.
“Most journalists in the United States believe the press here is free. That grand illusion only helps obscure the fact that, by and large, the US corporate press does not report what’s really going on, while tuning out, or laughing off, all those who try to do just that. Americans–now more than ever–need those outlets that do labor to report some truth. Project Censored is not just among the bravest, smartest, and most rigorous of those outlets, but the only one that’s wholly focused on those stories that the corporate press ignores, downplays, and/or distorts. This latest book is therefore a must read for anyone who cares about this country, its tottering economy, and–most important– what’s now left of its democracy.” –Mark Crispin Miller, author, professor of media ecology, New York University.
“In another home run for Project Censored, Censored 2013 shows how the American public has been bamboozled, snookered, and dumbed down by the corporate media. It is chock-full of ‘ah-ha’ moments where we understand just how we’ve been fleeced by banksters, stripped of our civil liberties, and blindly led down a path of never-ending war.” –Medea Benjamin, author of Drone Warfare, cofounder of Global Exchange and CODEPINK.
“[Censored] offers devastating evidence of the dumbing-down of main-stream news in America. . . . Required reading for broadcasters, journalists, and well-informed citizens.” —Los Angeles Times
“Hot news, cold truths, utterly uncensored.” —Greg Palast
“Project Censored brings to light some of the most important stories of the year that you never saw or heard about. This is your chance to find out what got buried.” –Diane Ravitch, author of The Death and Life of the Great American School System.
“Project Censored continues to be an invaluable resource in exposing and highlighting shocking stories that are routinely minimized or ignored by the corporate media. The vital nature of this work is underscored by this year’s NSA leaks. The world needs more brave whistle blowers and independent journalists in the service of reclaiming democracy and challenging the abuse of power. Project Censored stands out for its commitment to such work.” —Deepa Kumar, author of Islamophobia and the Politics of Empire and associate professor of Media Studies and Middle Eastern Studies at Rutgers University
“One of the most significant media research projects in the country.” —I. F. Stone
“At a time when the need for independent journalism and for media outlets unaffiliated with and untainted by the government and corporate sponsors is greater than ever, Project Censored has created a context for reporting the complete truths in all matters that matter. . . . It is therefore left to us to find sources for information we can trust. . . . It is in this task that we are fortunate to have an ally like Project Cen-sored.” —Dahr Jamail
“The staff of Project Censored presents their annual compilation of the previous year’s 25 stories most overlooked by the mainstream media along with essays about censorship and its consequences. The stories include an 813% rise in hate and anti-government groups since 2008, human rights violations by the US Border Patrol, and Israeli doctors injecting Ethiopian immigrants with birth control without their consent. Other stories focus on the environment, like the effects of fracking and Monsantos GMO seeds. The writers point out misinformation and outright deception in the media, including CNN relegating factual accounts to the “opinion” section and the whitewashing of Margaret Thatcher’s career following her death in 2013, unlike Hugo Chavez, who was routinely disparaged in the coverage following his death. One essay deals with the proliferation of “Junk Food News,” in which “CNN and Fox News devoted more time to ‘Gangnam Style’ than the renewal of Uganda’s ‘Kill the Gays’ law.” Another explains common media manipulation tactics and outlines practices to becoming a more engaged, free-thinking news consumer or even citizen journalist. Rob Williams remarks on Hollywood’s “deep and abiding role as a popular propaganda provider” via Argo and Zero Dark Thirty. An expose on working conditions in Chinese Apple factories is brutal yet essential reading. This book is evident of Project Censored’s profoundly important work in educating readers on current events and the skills needed to be a critical thinker.” -Publisher’s Weekly said about Censored 2014 (Oct.)
Buy it, read it, act on it. Our future depends on the knowledge this col-lection of suppressed stories allows us.” —San Diego Review
“Project Censored interrogates the present in the same way that Oliver Stone and I tried to interrogate the past in our Untold History of the United States. It not only shines a penetrating light on the American Empire and all its deadly, destructive, and deceitful actions, it does so at a time when the Obama administration is mounting a fierce effort to silence truth-tellers and whistleblowers. Project Censored provides the kind of fearless and honest journalism we so desperately need in these dangerous times.” —Peter Kuznick, professor of history, American University, and coauthor, with Oliver Stone, of The Untold History of the United States
“Censored 2014 is a clarion call for truth telling. Not only does this volume highlight fearless speech in fateful times, it connect the dots between the key issues we face, lauds our whistleblowers and amplifies their voices, and shines light in the dark places of our government that most need exposure.” –Daniel Ellsberg, The Pentagon Papers
“Project Censored shines a spotlight on news that an informed public must have . . . a vital contribution to our democratic process.” —Rhoda H. Karpatkin, president, Consumer’s Union
“Project Censored is one of the organizations that we should listen to, to be assured that our newspapers and our broadcasting outlets are practicing thorough and ethical journalism.” —Walter Cronkite
“Activist groups like Project Censored . . . are helping to build the media democracy movement. We have to challenge the powers that be and rebuild media from the bottom up.” —Amy Goodman
“Those who read and support Project Censored are in the know.” —Cynthia McKinney
“[Censored] should be affixed to the bulletin boards in every newsroom in America. And, perhaps read aloud to a few publishers and television executives.” —Ralph Nader

20. AMERICAN TALE OF TWO CITIES: THE GROWTH OF ECONOMIC APARTHEID

The Atlanta Chamber of Commerce will produce reams of hype about the city this summer for the Democratic National Convention. In turn, the media will dutifully hype the rest of the nation about Atlanta.

But there is another side to Atlanta that has gone largely unreported by the U.S. Media.

Economic forces at work in Atlanta are “producing a new kind of segregation, which threatens to leave blacks out of the great job reshuffling that is taking place not only in the Jewel of the South but throughout the country.”

In Atlanta, corporations are moving their operations and jobs to Cobb and Gwinnett counties, two overwhelmingly white, affluent, Republican-voting suburbs to the north of Atlanta.

Though many media have profiled the MetroAtlanta economic renaissance, specifically highlighting Gwinnett County, the fastest growing county in the nation, most have failed to state that both Cobb and Gwinnett, though considered part of MetroAtlanta, do not share the tax base or government with the city.

Black citizens of Atlanta have no share in the new economic affluence profiled by the media. In fact, with the particulars of this MetroAtlanta economic demography in mind — no shared tax-base, no shared government, no shared public transportation system, new freeway project connecting outlying suburbs and bypassing inner city access, corporate flight, and the traditional (racist) dividing line of Interstate 20 — the proliferation of an economic apartheid is easily seen.

When asked why corporate development went north, J. Patrick Murphy, the senior vice president for economic development of Gwinnett County’s Chamber of Commerce, pulls out a map and points to Interstate 20, which runs from east to west straight through Atlanta, halving the metropolitan region. “Since before the time of the Civil War, it was understood that free blacks weren’t to come above this line. And most of them still live south of it,” says Murphy. “I suppose development just follows the money.”

David Beers and Diana Hembree, who explored this issue with support from the Fund for Investigative Journalism, said it “would be a mistake to interpret Atlanta’s racially skewed boom as peculiar to the South and growing mainly out of the region’s historical prejudices. It is probably more accurate to take Atlanta as it bills itself — as the shape of things to come. Similar growth patterns are occurring all over the United States, invariably favoring white suburbs and avoiding black urban centers.

 SOURCE:

THE NATION, 3/21/87, “The new Atlanta: A Tale of Two Cities,” by David Beers and Diana Hembree, pp 357-360.

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