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“Project Censored interrogates the present in the same way that Oliver Stone and I tried to interrogate the past in our Untold History of the United States. It not only shines a penetrating light on the American Empire and all its deadly, destructive, and deceitful actions, it does so at a time when the Obama administration is mounting a fierce effort to silence truth-tellers and whistleblowers. Project Censored provides the kind of fearless and honest journalism we so desperately need in these dangerous times.” —Peter Kuznick, professor of history, American University, and coauthor, with Oliver Stone, of The Untold History of the United States
“The staff of Project Censored presents their annual compilation of the previous year’s 25 stories most overlooked by the mainstream media along with essays about censorship and its consequences. The stories include an 813% rise in hate and anti-government groups since 2008, human rights violations by the US Border Patrol, and Israeli doctors injecting Ethiopian immigrants with birth control without their consent. Other stories focus on the environment, like the effects of fracking and Monsantos GMO seeds. The writers point out misinformation and outright deception in the media, including CNN relegating factual accounts to the “opinion” section and the whitewashing of Margaret Thatcher’s career following her death in 2013, unlike Hugo Chavez, who was routinely disparaged in the coverage following his death. One essay deals with the proliferation of “Junk Food News,” in which “CNN and Fox News devoted more time to ‘Gangnam Style’ than the renewal of Uganda’s ‘Kill the Gays’ law.” Another explains common media manipulation tactics and outlines practices to becoming a more engaged, free-thinking news consumer or even citizen journalist. Rob Williams remarks on Hollywood’s “deep and abiding role as a popular propaganda provider” via Argo and Zero Dark Thirty. An expose on working conditions in Chinese Apple factories is brutal yet essential reading. This book is evident of Project Censored’s profoundly important work in educating readers on current events and the skills needed to be a critical thinker.” -Publisher’s Weekly said about Censored 2014 (Oct.)
“Hot news, cold truths, utterly uncensored.” —Greg Palast
“Censored 2014 is a clarion call for truth telling. Not only does this volume highlight fearless speech in fateful times, it connect the dots between the key issues we face, lauds our whistleblowers and amplifies their voices, and shines light in the dark places of our government that most need exposure.” –Daniel Ellsberg, The Pentagon Papers
“Activist groups like Project Censored . . . are helping to build the media democracy movement. We have to challenge the powers that be and rebuild media from the bottom up.” —Amy Goodman
“Project Censored shines a spotlight on news that an informed public must have . . . a vital contribution to our democratic process.” —Rhoda H. Karpatkin, president, Consumer’s Union
“[Censored] offers devastating evidence of the dumbing-down of main-stream news in America. . . . Required reading for broadcasters, journalists, and well-informed citizens.” —Los Angeles Times
“[Censored] should be affixed to the bulletin boards in every newsroom in America. And, perhaps read aloud to a few publishers and television executives.” —Ralph Nader
“Project Censored continues to be an invaluable resource in exposing and highlighting shocking stories that are routinely minimized or ignored by the corporate media. The vital nature of this work is underscored by this year’s NSA leaks. The world needs more brave whistle blowers and independent journalists in the service of reclaiming democracy and challenging the abuse of power. Project Censored stands out for its commitment to such work.” —Deepa Kumar, author of Islamophobia and the Politics of Empire and associate professor of Media Studies and Middle Eastern Studies at Rutgers University
“Those who read and support Project Censored are in the know.” —Cynthia McKinney
“Project Censored is one of the organizations that we should listen to, to be assured that our newspapers and our broadcasting outlets are practicing thorough and ethical journalism.” —Walter Cronkite
“At a time when the need for independent journalism and for media outlets unaffiliated with and untainted by the government and corporate sponsors is greater than ever, Project Censored has created a context for reporting the complete truths in all matters that matter. . . . It is therefore left to us to find sources for information we can trust. . . . It is in this task that we are fortunate to have an ally like Project Cen-sored.” —Dahr Jamail
“For ages, I’ve dreamed of a United States where Project Censored isn’t necessary, where these crucial stories and defining issues are on the front page of the New York Times, the cover of Time, and in heavy rotation on CNN. That world still doesn’t exist, but we always have Project Censored’s yearly book to pull together the most important things the corporate media ignored, missed, or botched.” –Russ Kick, author of You Are Being Lied To, Everything You Know Is Wrong, and the New York Times bestselling series The Graphic Canon.
“In another home run for Project Censored, Censored 2013 shows how the American public has been bamboozled, snookered, and dumbed down by the corporate media. It is chock-full of ‘ah-ha’ moments where we understand just how we’ve been fleeced by banksters, stripped of our civil liberties, and blindly led down a path of never-ending war.” –Medea Benjamin, author of Drone Warfare, cofounder of Global Exchange and CODEPINK.
Buy it, read it, act on it. Our future depends on the knowledge this col-lection of suppressed stories allows us.” —San Diego Review
“Project Censored brings to light some of the most important stories of the year that you never saw or heard about. This is your chance to find out what got buried.” –Diane Ravitch, author of The Death and Life of the Great American School System.
“Most journalists in the United States believe the press here is free. That grand illusion only helps obscure the fact that, by and large, the US corporate press does not report what’s really going on, while tuning out, or laughing off, all those who try to do just that. Americans–now more than ever–need those outlets that do labor to report some truth. Project Censored is not just among the bravest, smartest, and most rigorous of those outlets, but the only one that’s wholly focused on those stories that the corporate press ignores, downplays, and/or distorts. This latest book is therefore a must read for anyone who cares about this country, its tottering economy, and–most important– what’s now left of its democracy.” –Mark Crispin Miller, author, professor of media ecology, New York University.
“One of the most significant media research projects in the country.” —I. F. Stone


In 1924, Harry Hoxsey introduced a new treatment for cancer. He claimed he could cure both internal and external forms of the disease. He opened a clinic in Dallas, Texas, and began treating cancer patients. Before the Food and Drug Administration (FDA) and the American Medical Association (AMA) shut him down, he had built clinics in 17 states and reported an 80% success rate. After years of controversy, the FDA and AMA were forced to admit that his external therapy could cure some forms of cancer. Neither agency tested his tonic for internal cancer saying it was a waste of time and tax money.

The Hoxsey Cure is not the only alternative treatment which has been ignored, over­looked, or rejected as “quackery” by the AMA. The film, “Hoxsey, How Healing Becomes a Crime,” explores the darker side of the medical profession’s method of dealing with cancer and alternative methods of treatment. It makes several points.

For example, the film points out there are only three “acceptable” treatments of cancer used by doctors today – surgery, radiation, and chemotherapy. The acknowledged survival rate is one out of three and despite years of research, the medical field admits it is losing the “war on cancer.” About one million people are diagnosed as having cancer every year and, on average, spend an estimated $50,000 for treatment, per person, per year. It is estimated that cancer is an industry worth more than $50 billion annually. There are more people working in the cancer field than die of the disease.

Given these bleak statistics, why are alternative methods of treatment systematically ignored? With two out of every three people with cancer dying, the average person would think that the medical profession would be receptive to new ideas and methods. In fact, the Hoxsey film points out that the opposite is true. The film charges there is a medical monopoly, con­trolled by the AMA, which is opposed to any cancer cure which would not sustain the current $50 billion medical/pharmaceutical industry.

The Hoxsey treatment, like many others, uses natural herbs and roots in its formula. It is not expected that pharmaceutical companies, which produce the drugs used in chemotherapy, surgery, and radiation treatments, would spend millions of dollars to test such herbs and roots only to discover that anyone could grow and use them without buying them from the manufac­turer. No profit; no cure.

It is suggested that, in the United States, research in homeopathic treatment, such as promoted by Harry Hoxsey, lags far behind other nations as a result of opposition from the AMA and FDA.

Full access to information is particularly critical when it comes to life and death situ­ations. The film argues that alternative treatments for cancer are not well known nor accepted in the United States as a result of historical and traditional censorious attacks by agencies like the American Medical Association, Food and Drug Administration, National Cancer Institute, and the American Cancer Society, all of which have vested economic interests in the medical status quo.


SOURCE: Realidad Productions, PO Box 1644, Santa Fe, NM 87504

TITLE: “HOXSEY: How Healing Becomes a Crime,” 96-minute film, 1987; produced, written, and directed by Ken Ausubel

SOURCE: NEW AGE JOURNAL, 342 Western Ave., Brighton, MA 02135, DATE: September/October 1989

TITLE: “Cancer Cures: An Outbreak of Controversy”

AUTHOR: Ken Ausubel

SOURCE: Ken Ausubel, personal correspondence, 6/25/90

COMMENTS: Author and producer Ken Ausubel charges that “Despite a major 1990 federal Office of Technology Assessment report recommending further testing and investigation of unconventional cancer therapies, these treatments continue to be ignored or ridiculed in the media.” In fact, Ausubel says, “The report is the longest and most expensive in OTA history at 4 years and $500,000. It has been marked throughout by controversy and charges of suppres­sion. The end product is very significant, and one would expect it to have received appropriate media coverage. But not a peep!” Meanwhile, Ausubel points out that “using conventional cancer therapies, mortality rates have not improved since the 1950’s, as two of three patients still die within five years of diagnosis. Nevertheless, the media is constantly promoting supposed advances in conventional treatment and branding everything else as quackery.” The limited coverage given alternative methods benefits certain sectors of organized medicine, doctors, insurance companies, drug companies and medical equipment suppliers who stand to make a material gain from these expensive medical technologies and procedures, according to Ausubel. He predicts that “recent developments in the medical field indicate that the 21st century will bring a `collaborative model’ which integrates conventional with holistic and natural medicine. Therapies based more on natural products, as well as on diet and psychological attitudes, are becoming increasingly prominent. The real beneficiaries of this cooperation will be patients.”

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