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“Project Censored brings to light some of the most important stories of the year that you never saw or heard about. This is your chance to find out what got buried.” –Diane Ravitch, author of The Death and Life of the Great American School System.
“For ages, I’ve dreamed of a United States where Project Censored isn’t necessary, where these crucial stories and defining issues are on the front page of the New York Times, the cover of Time, and in heavy rotation on CNN. That world still doesn’t exist, but we always have Project Censored’s yearly book to pull together the most important things the corporate media ignored, missed, or botched.” –Russ Kick, author of You Are Being Lied To, Everything You Know Is Wrong, and the New York Times bestselling series The Graphic Canon.
“Project Censored shines a spotlight on news that an informed public must have . . . a vital contribution to our democratic process.” —Rhoda H. Karpatkin, president, Consumer’s Union
“Project Censored interrogates the present in the same way that Oliver Stone and I tried to interrogate the past in our Untold History of the United States. It not only shines a penetrating light on the American Empire and all its deadly, destructive, and deceitful actions, it does so at a time when the Obama administration is mounting a fierce effort to silence truth-tellers and whistleblowers. Project Censored provides the kind of fearless and honest journalism we so desperately need in these dangerous times.” —Peter Kuznick, professor of history, American University, and coauthor, with Oliver Stone, of The Untold History of the United States
“Censored 2014 is a clarion call for truth telling. Not only does this volume highlight fearless speech in fateful times, it connect the dots between the key issues we face, lauds our whistleblowers and amplifies their voices, and shines light in the dark places of our government that most need exposure.” –Daniel Ellsberg, The Pentagon Papers
“Project Censored continues to be an invaluable resource in exposing and highlighting shocking stories that are routinely minimized or ignored by the corporate media. The vital nature of this work is underscored by this year’s NSA leaks. The world needs more brave whistle blowers and independent journalists in the service of reclaiming democracy and challenging the abuse of power. Project Censored stands out for its commitment to such work.” —Deepa Kumar, author of Islamophobia and the Politics of Empire and associate professor of Media Studies and Middle Eastern Studies at Rutgers University
“[Censored] should be affixed to the bulletin boards in every newsroom in America. And, perhaps read aloud to a few publishers and television executives.” —Ralph Nader
“[Censored] offers devastating evidence of the dumbing-down of main-stream news in America. . . . Required reading for broadcasters, journalists, and well-informed citizens.” —Los Angeles Times
“In another home run for Project Censored, Censored 2013 shows how the American public has been bamboozled, snookered, and dumbed down by the corporate media. It is chock-full of ‘ah-ha’ moments where we understand just how we’ve been fleeced by banksters, stripped of our civil liberties, and blindly led down a path of never-ending war.” –Medea Benjamin, author of Drone Warfare, cofounder of Global Exchange and CODEPINK.
“One of the most significant media research projects in the country.” —I. F. Stone
“At a time when the need for independent journalism and for media outlets unaffiliated with and untainted by the government and corporate sponsors is greater than ever, Project Censored has created a context for reporting the complete truths in all matters that matter. . . . It is therefore left to us to find sources for information we can trust. . . . It is in this task that we are fortunate to have an ally like Project Cen-sored.” —Dahr Jamail
“Activist groups like Project Censored . . . are helping to build the media democracy movement. We have to challenge the powers that be and rebuild media from the bottom up.” —Amy Goodman
Buy it, read it, act on it. Our future depends on the knowledge this col-lection of suppressed stories allows us.” —San Diego Review
“Most journalists in the United States believe the press here is free. That grand illusion only helps obscure the fact that, by and large, the US corporate press does not report what’s really going on, while tuning out, or laughing off, all those who try to do just that. Americans–now more than ever–need those outlets that do labor to report some truth. Project Censored is not just among the bravest, smartest, and most rigorous of those outlets, but the only one that’s wholly focused on those stories that the corporate press ignores, downplays, and/or distorts. This latest book is therefore a must read for anyone who cares about this country, its tottering economy, and–most important– what’s now left of its democracy.” –Mark Crispin Miller, author, professor of media ecology, New York University.
“Project Censored is one of the organizations that we should listen to, to be assured that our newspapers and our broadcasting outlets are practicing thorough and ethical journalism.” —Walter Cronkite
“The staff of Project Censored presents their annual compilation of the previous year’s 25 stories most overlooked by the mainstream media along with essays about censorship and its consequences. The stories include an 813% rise in hate and anti-government groups since 2008, human rights violations by the US Border Patrol, and Israeli doctors injecting Ethiopian immigrants with birth control without their consent. Other stories focus on the environment, like the effects of fracking and Monsantos GMO seeds. The writers point out misinformation and outright deception in the media, including CNN relegating factual accounts to the “opinion” section and the whitewashing of Margaret Thatcher’s career following her death in 2013, unlike Hugo Chavez, who was routinely disparaged in the coverage following his death. One essay deals with the proliferation of “Junk Food News,” in which “CNN and Fox News devoted more time to ‘Gangnam Style’ than the renewal of Uganda’s ‘Kill the Gays’ law.” Another explains common media manipulation tactics and outlines practices to becoming a more engaged, free-thinking news consumer or even citizen journalist. Rob Williams remarks on Hollywood’s “deep and abiding role as a popular propaganda provider” via Argo and Zero Dark Thirty. An expose on working conditions in Chinese Apple factories is brutal yet essential reading. This book is evident of Project Censored’s profoundly important work in educating readers on current events and the skills needed to be a critical thinker.” -Publisher’s Weekly said about Censored 2014 (Oct.)
“Hot news, cold truths, utterly uncensored.” —Greg Palast
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21. THE NEW YORK TIMES: AMERICA’S PRO-NUKE NEWSPAPER OF RECORD

Six years ago, the Navy proposed Stapleton Staten Island, in the heart of New York Harbor, as the Homeport for the battleship Iowa and its flotilla, the Surface Action Group. While the Navy has refused to confirm or deny the presence of nuclear weapons on the ships, retired Admiral Eugene Carroll, deputy director of the Center for Defense Information, asserted that Tomahawk nuclear cruise missiles, the nuclear Terrier missile, and nuclear anti-submarine rockets will be carried on the Surface Action Group.

If the US government were building a nuclear weapons base in Central Park, it would be headline news day after day. Congressman Ted Weiss called the Navy’s plan to store nuclear missiles on ships docked at the Staten Island Homeport an idea as “nutty as placing them in Central Park.” New York is one of the busiest harbors in the world and mishaps are not uncommon. The Coast Guard reported 609 shipping accidents in NY harbor between 1976 and 1980. The Navy itself reported two nuclear weapons accidents and 628 less serious “incidents” between 1965 and 1985. Many of those were on ships similar to the Surface Action Group.

A draft of an emergency preparedness plan for the Homeport, released in March 1988, said that in the event of a shipboard accident, “Plutonium dust suspended in the air can be kept out of the lungs by placing a handkerchief over the nose and mouth or remaining inside a building with ventilation secured and doors and windows closed. … Even if one thinks they have inhaled plutonium it is not a medical emergency. It can be significantly eliminated from the body by medical procedures.

Incredibly, the Homeport issue hasn’t been well covered. Only Newsday and the Staten Island Advance have reported on the issue with any regularity. The Village Voice has occasionally run good pieces, but the New York Times, NY Daily News, and NY Post have not made it a priority. Television coverage has been spotty at best. But Leonard Marks, chairman of the NY Lawyers Alliance for Nuclear Control who represent a coalition of citizens against the Homeport plan, singled out the New York Times for special criticism: “The Times has been totally coopted in favor of the Homeport from the very beginning. They have run almost nothing on any aspect of the protests … The Times is definitely biased against the peace movement.”

In fact the Times has had a longstanding pro-nuclear editorial policy, according to an EXTRA! investigation. The Times editorialized against the nuclear freeze in 1982; when Michail Gorbachev announced a unilateral moratorium on Soviet nuclear weapons tests in 1985, the Times vigorously denounced it as a “cynical propaganda blast;” and the Times crusaded in favor of Long Island’s Shoreham nuclear power plant in over two dozen editorials including one (5/13/88) that called the decision to shelve the project a threat to “the nation’s security” because it eroded “public confidence in nuclear power.”

When EXTRA! called the city desk of the New York Times for a comment, an editor responded: “The Navy’s Homeport? Actually I’m not familiar with it. What is it?”

Meanwhile, one Times reporter confided to EXTRA!, “I’m dying to write a story about the Homeport, but they won’t run it.”

SOURCE:

EXTRA!, May/June 1988, “New York City’s Big Secret: The Nuclear Homeport,” by Josh Daniel, pp 6-7.

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