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“Censored 2014 is a clarion call for truth telling. Not only does this volume highlight fearless speech in fateful times, it connect the dots between the key issues we face, lauds our whistleblowers and amplifies their voices, and shines light in the dark places of our government that most need exposure.” –Daniel Ellsberg, The Pentagon Papers
“Project Censored brings to light some of the most important stories of the year that you never saw or heard about. This is your chance to find out what got buried.” –Diane Ravitch, author of The Death and Life of the Great American School System.
“[Censored] offers devastating evidence of the dumbing-down of main-stream news in America. . . . Required reading for broadcasters, journalists, and well-informed citizens.” —Los Angeles Times
“Project Censored shines a spotlight on news that an informed public must have . . . a vital contribution to our democratic process.” —Rhoda H. Karpatkin, president, Consumer’s Union
“Project Censored continues to be an invaluable resource in exposing and highlighting shocking stories that are routinely minimized or ignored by the corporate media. The vital nature of this work is underscored by this year’s NSA leaks. The world needs more brave whistle blowers and independent journalists in the service of reclaiming democracy and challenging the abuse of power. Project Censored stands out for its commitment to such work.” —Deepa Kumar, author of Islamophobia and the Politics of Empire and associate professor of Media Studies and Middle Eastern Studies at Rutgers University
Buy it, read it, act on it. Our future depends on the knowledge this col-lection of suppressed stories allows us.” —San Diego Review
“Most journalists in the United States believe the press here is free. That grand illusion only helps obscure the fact that, by and large, the US corporate press does not report what’s really going on, while tuning out, or laughing off, all those who try to do just that. Americans–now more than ever–need those outlets that do labor to report some truth. Project Censored is not just among the bravest, smartest, and most rigorous of those outlets, but the only one that’s wholly focused on those stories that the corporate press ignores, downplays, and/or distorts. This latest book is therefore a must read for anyone who cares about this country, its tottering economy, and–most important– what’s now left of its democracy.” –Mark Crispin Miller, author, professor of media ecology, New York University.
“In another home run for Project Censored, Censored 2013 shows how the American public has been bamboozled, snookered, and dumbed down by the corporate media. It is chock-full of ‘ah-ha’ moments where we understand just how we’ve been fleeced by banksters, stripped of our civil liberties, and blindly led down a path of never-ending war.” –Medea Benjamin, author of Drone Warfare, cofounder of Global Exchange and CODEPINK.
“The staff of Project Censored presents their annual compilation of the previous year’s 25 stories most overlooked by the mainstream media along with essays about censorship and its consequences. The stories include an 813% rise in hate and anti-government groups since 2008, human rights violations by the US Border Patrol, and Israeli doctors injecting Ethiopian immigrants with birth control without their consent. Other stories focus on the environment, like the effects of fracking and Monsantos GMO seeds. The writers point out misinformation and outright deception in the media, including CNN relegating factual accounts to the “opinion” section and the whitewashing of Margaret Thatcher’s career following her death in 2013, unlike Hugo Chavez, who was routinely disparaged in the coverage following his death. One essay deals with the proliferation of “Junk Food News,” in which “CNN and Fox News devoted more time to ‘Gangnam Style’ than the renewal of Uganda’s ‘Kill the Gays’ law.” Another explains common media manipulation tactics and outlines practices to becoming a more engaged, free-thinking news consumer or even citizen journalist. Rob Williams remarks on Hollywood’s “deep and abiding role as a popular propaganda provider” via Argo and Zero Dark Thirty. An expose on working conditions in Chinese Apple factories is brutal yet essential reading. This book is evident of Project Censored’s profoundly important work in educating readers on current events and the skills needed to be a critical thinker.” -Publisher’s Weekly said about Censored 2014 (Oct.)
“Hot news, cold truths, utterly uncensored.” —Greg Palast
“Project Censored interrogates the present in the same way that Oliver Stone and I tried to interrogate the past in our Untold History of the United States. It not only shines a penetrating light on the American Empire and all its deadly, destructive, and deceitful actions, it does so at a time when the Obama administration is mounting a fierce effort to silence truth-tellers and whistleblowers. Project Censored provides the kind of fearless and honest journalism we so desperately need in these dangerous times.” —Peter Kuznick, professor of history, American University, and coauthor, with Oliver Stone, of The Untold History of the United States
“Activist groups like Project Censored . . . are helping to build the media democracy movement. We have to challenge the powers that be and rebuild media from the bottom up.” —Amy Goodman
“At a time when the need for independent journalism and for media outlets unaffiliated with and untainted by the government and corporate sponsors is greater than ever, Project Censored has created a context for reporting the complete truths in all matters that matter. . . . It is therefore left to us to find sources for information we can trust. . . . It is in this task that we are fortunate to have an ally like Project Cen-sored.” —Dahr Jamail
“For ages, I’ve dreamed of a United States where Project Censored isn’t necessary, where these crucial stories and defining issues are on the front page of the New York Times, the cover of Time, and in heavy rotation on CNN. That world still doesn’t exist, but we always have Project Censored’s yearly book to pull together the most important things the corporate media ignored, missed, or botched.” –Russ Kick, author of You Are Being Lied To, Everything You Know Is Wrong, and the New York Times bestselling series The Graphic Canon.
“Those who read and support Project Censored are in the know.” —Cynthia McKinney
“Project Censored is one of the organizations that we should listen to, to be assured that our newspapers and our broadcasting outlets are practicing thorough and ethical journalism.” —Walter Cronkite
“One of the most significant media research projects in the country.” —I. F. Stone
“[Censored] should be affixed to the bulletin boards in every newsroom in America. And, perhaps read aloud to a few publishers and television executives.” —Ralph Nader

25. ARTIST FIGHTS INTERNATIONAL COVER-UP

Richard Corey is an angry American artist. In 1976, he was one of 700 artists who sent more than 1,000 paintings to an exhibit sponsored by ARGRAF (Cultural Association for Knowledge of American Graphic Art in France).

Widely distributed promotional materials indicated the affair was sponsored by French governmental agencies including the Ministry of Tourism and the Paris City Council. Its image was legitimatized by association with companies like Air France and DuPont and big names like Pierre Salinger, president of the award jury. Princess Caroline cut the opening ribbon for the exhibit titled “The American Painters in Paris Exhibition” which was promoted as a celebration of the American Bicentennial.

At a fee of $200 per painting, the artists contributed from $240,000 to $600,000 to the exhibition. The figures are approximate since no one seems to know how many artists participated, how many paintings actually were exhibited, nor how much money was sent.

While the artists thought they were participating in an important artistic and Bicentennial event, it turned out that the exhibit was a fiasco, if not a scam. Bankruptcy was declared by the American Painters in Paris; ARGRAF disappeared; and an incredible series of international cover-ups began.

For seven years, Richard Corey has been trying to expose the scandal, bring justice to its victims, and warn American artists that similar scams still exist. He has not been successful. He has written more than 5,000 letters, run up extensive phone bills, pro­duced his own video tape, and sent out press releases to nearly 200 news organizations. In frustration, he even chained himself to the door of the Manhattan headquarters of the French Cultural Service Office. The latter act generated 12 column inches of coverage in Long Island’s Newsday.

Despite his rash act, Mr. Corey is not a nut nor, apparently, in it for the money. His charges are well documented and he is supported by leading art organizations and artists. Air France offered him several thousand dollars to drop the matter in 1977.

Indeed his crusade may not seem important in an era of politi­cal corruption, economic hardship, nuclear threats, and civil war. But it surely does raise a question of media access.

Are the mating habits of pandas really that much more news­worthy than the plight of a lone and frustrated artist with a just cause?

SOURCES:

New Art Examiner, February 1983, “Warning to Artists,” by Richard Corey; Newsday , 3/21/80, “Activists: Medium is Message,” by Noel Rubinton; correspondence from Richard Corey, 1982/1983.

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