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“Project Censored shines a spotlight on news that an informed public must have . . . a vital contribution to our democratic process.” —Rhoda H. Karpatkin, president, Consumer’s Union
“Activist groups like Project Censored . . . are helping to build the media democracy movement. We have to challenge the powers that be and rebuild media from the bottom up.” —Amy Goodman
“[Censored] offers devastating evidence of the dumbing-down of main-stream news in America. . . . Required reading for broadcasters, journalists, and well-informed citizens.” —Los Angeles Times
“[Censored] should be affixed to the bulletin boards in every newsroom in America. And, perhaps read aloud to a few publishers and television executives.” —Ralph Nader
“In another home run for Project Censored, Censored 2013 shows how the American public has been bamboozled, snookered, and dumbed down by the corporate media. It is chock-full of ‘ah-ha’ moments where we understand just how we’ve been fleeced by banksters, stripped of our civil liberties, and blindly led down a path of never-ending war.” –Medea Benjamin, author of Drone Warfare, cofounder of Global Exchange and CODEPINK.
“Project Censored brings to light some of the most important stories of the year that you never saw or heard about. This is your chance to find out what got buried.” –Diane Ravitch, author of The Death and Life of the Great American School System.
“Project Censored continues to be an invaluable resource in exposing and highlighting shocking stories that are routinely minimized or ignored by the corporate media. The vital nature of this work is underscored by this year’s NSA leaks. The world needs more brave whistle blowers and independent journalists in the service of reclaiming democracy and challenging the abuse of power. Project Censored stands out for its commitment to such work.” —Deepa Kumar, author of Islamophobia and the Politics of Empire and associate professor of Media Studies and Middle Eastern Studies at Rutgers University
“At a time when the need for independent journalism and for media outlets unaffiliated with and untainted by the government and corporate sponsors is greater than ever, Project Censored has created a context for reporting the complete truths in all matters that matter. . . . It is therefore left to us to find sources for information we can trust. . . . It is in this task that we are fortunate to have an ally like Project Cen-sored.” —Dahr Jamail
“For ages, I’ve dreamed of a United States where Project Censored isn’t necessary, where these crucial stories and defining issues are on the front page of the New York Times, the cover of Time, and in heavy rotation on CNN. That world still doesn’t exist, but we always have Project Censored’s yearly book to pull together the most important things the corporate media ignored, missed, or botched.” –Russ Kick, author of You Are Being Lied To, Everything You Know Is Wrong, and the New York Times bestselling series The Graphic Canon.
“Those who read and support Project Censored are in the know.” —Cynthia McKinney
“Project Censored interrogates the present in the same way that Oliver Stone and I tried to interrogate the past in our Untold History of the United States. It not only shines a penetrating light on the American Empire and all its deadly, destructive, and deceitful actions, it does so at a time when the Obama administration is mounting a fierce effort to silence truth-tellers and whistleblowers. Project Censored provides the kind of fearless and honest journalism we so desperately need in these dangerous times.” —Peter Kuznick, professor of history, American University, and coauthor, with Oliver Stone, of The Untold History of the United States
“Project Censored is one of the organizations that we should listen to, to be assured that our newspapers and our broadcasting outlets are practicing thorough and ethical journalism.” —Walter Cronkite
“The staff of Project Censored presents their annual compilation of the previous year’s 25 stories most overlooked by the mainstream media along with essays about censorship and its consequences. The stories include an 813% rise in hate and anti-government groups since 2008, human rights violations by the US Border Patrol, and Israeli doctors injecting Ethiopian immigrants with birth control without their consent. Other stories focus on the environment, like the effects of fracking and Monsantos GMO seeds. The writers point out misinformation and outright deception in the media, including CNN relegating factual accounts to the “opinion” section and the whitewashing of Margaret Thatcher’s career following her death in 2013, unlike Hugo Chavez, who was routinely disparaged in the coverage following his death. One essay deals with the proliferation of “Junk Food News,” in which “CNN and Fox News devoted more time to ‘Gangnam Style’ than the renewal of Uganda’s ‘Kill the Gays’ law.” Another explains common media manipulation tactics and outlines practices to becoming a more engaged, free-thinking news consumer or even citizen journalist. Rob Williams remarks on Hollywood’s “deep and abiding role as a popular propaganda provider” via Argo and Zero Dark Thirty. An expose on working conditions in Chinese Apple factories is brutal yet essential reading. This book is evident of Project Censored’s profoundly important work in educating readers on current events and the skills needed to be a critical thinker.” -Publisher’s Weekly said about Censored 2014 (Oct.)
“Most journalists in the United States believe the press here is free. That grand illusion only helps obscure the fact that, by and large, the US corporate press does not report what’s really going on, while tuning out, or laughing off, all those who try to do just that. Americans–now more than ever–need those outlets that do labor to report some truth. Project Censored is not just among the bravest, smartest, and most rigorous of those outlets, but the only one that’s wholly focused on those stories that the corporate press ignores, downplays, and/or distorts. This latest book is therefore a must read for anyone who cares about this country, its tottering economy, and–most important– what’s now left of its democracy.” –Mark Crispin Miller, author, professor of media ecology, New York University.
Buy it, read it, act on it. Our future depends on the knowledge this col-lection of suppressed stories allows us.” —San Diego Review
“Hot news, cold truths, utterly uncensored.” —Greg Palast
“Censored 2014 is a clarion call for truth telling. Not only does this volume highlight fearless speech in fateful times, it connect the dots between the key issues we face, lauds our whistleblowers and amplifies their voices, and shines light in the dark places of our government that most need exposure.” –Daniel Ellsberg, The Pentagon Papers
“One of the most significant media research projects in the country.” —I. F. Stone

4. “Decommissioning Nuclear Power Plants”

The decommissioning of nuclear reactors, which have lifetimes of 30 to 40 years, is a problem that has hardly been considered and has not been resolved. So far, 11 licensed nuclear plants and reactors have been shut down, with two cases where they were completely dismantled and buried in licensed burial grounds which may one day cover one tenth of the U. S. surface. In these two cases, costs ran almost as high for dismantling as did the original construc­tion. The intensity of radioactivity that will surround shutdown plants–some of it being hazardous for as long as 1.5 million years–will make it necessary for all reactors to eventually be completely decommissioned though other temporary methods are being used. If the complete job is delayed for the recommended 100 years, and the funds and personnel are available, the costs per reactor will be at least $40 million with upper limits that can’t even be estimated.

The Nuclear Regulatory Commission seems to assume that income generated by the reactors’ use will pay for the expenses–but what happens if a reactor fails after only a few years of operation, or if its corporate owner no longer exists, or if the waning industry itself ends?

An example of one case that is going on now is the West Valley Plant in New York, which was the only nuclear fuel reprocessing plant that has ever operated in the United States–and was shut down in 1972 after 6 years of problem-plagued operations. The plant, which sometimes gave workers as much as 1/4 of a yearly-permissible dosage of radiation in 15 minutes, is faced with the question of how to dispose of over 600,000 gallons of high-level radioactive wastes that will be toxic for at least the next 250,000 years. Getty Oil Corporation, which owned the plant through Nuclear Fuel Services, Inc., plans to sever its ties when the lease runs out in 1980, leaving New York state with a $4.4 million maintenance fund. Estimates for making the West Valley plant safe range from $60 to $600 million. While waiting a solution, the wastes are now buried in carbon steel tanks, eight feet beneath the ground, that will last a few decades at most, in an earthquake prone area.

What has not been adequately considered is that the problems of nuclear power, which has so far been nourished primarily by government funds, do not end with the many drawbacks and difficulties cropping up with the reactors them­ selves — such as low productivity, inadequate safety precautions, dwindling fuel supplies, skyrocketing prices, etc., but also extend to what happens when the plants are shut down. The questions of waste disposal and how decommissioning costs are going to be paid remains.  Southern California Edison Company has suggested a plan whereby the electric companies could be eventually collecting as much as $50 million a year for decommissioning costs from consumers and that may only be the tip of the iceberg. The staggering potential of the nuclear question qualifies this story to be nominated as one of the “best censored” stories of 1977.


“A Landscape of Nuclear Tombs,” by Alexis Parks, Progressive, December, 1977, p. 30-31.

“The Cost of Turning it Off,” by Steve Harwood, Kenneth May, Marvin Resnikaff, Barbara Schlenger, and Pam Tames, Environment, December, 1976, p. 17-27.

“West Valley. The Tombstone of Nuclear Power,” by Richard Beer and Peter Biskind, Seven Days, March 28, 1977, p: 3-6.

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