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“Project Censored interrogates the present in the same way that Oliver Stone and I tried to interrogate the past in our Untold History of the United States. It not only shines a penetrating light on the American Empire and all its deadly, destructive, and deceitful actions, it does so at a time when the Obama administration is mounting a fierce effort to silence truth-tellers and whistleblowers. Project Censored provides the kind of fearless and honest journalism we so desperately need in these dangerous times.” —Peter Kuznick, professor of history, American University, and coauthor, with Oliver Stone, of The Untold History of the United States
“[Censored] should be affixed to the bulletin boards in every newsroom in America. And, perhaps read aloud to a few publishers and television executives.” —Ralph Nader
“Project Censored continues to be an invaluable resource in exposing and highlighting shocking stories that are routinely minimized or ignored by the corporate media. The vital nature of this work is underscored by this year’s NSA leaks. The world needs more brave whistle blowers and independent journalists in the service of reclaiming democracy and challenging the abuse of power. Project Censored stands out for its commitment to such work.” —Deepa Kumar, author of Islamophobia and the Politics of Empire and associate professor of Media Studies and Middle Eastern Studies at Rutgers University
“Project Censored is one of the organizations that we should listen to, to be assured that our newspapers and our broadcasting outlets are practicing thorough and ethical journalism.” —Walter Cronkite
“One of the most significant media research projects in the country.” —I. F. Stone
“Project Censored brings to light some of the most important stories of the year that you never saw or heard about. This is your chance to find out what got buried.” –Diane Ravitch, author of The Death and Life of the Great American School System.
“Censored 2014 is a clarion call for truth telling. Not only does this volume highlight fearless speech in fateful times, it connect the dots between the key issues we face, lauds our whistleblowers and amplifies their voices, and shines light in the dark places of our government that most need exposure.” –Daniel Ellsberg, The Pentagon Papers
“Activist groups like Project Censored . . . are helping to build the media democracy movement. We have to challenge the powers that be and rebuild media from the bottom up.” —Amy Goodman
“For ages, I’ve dreamed of a United States where Project Censored isn’t necessary, where these crucial stories and defining issues are on the front page of the New York Times, the cover of Time, and in heavy rotation on CNN. That world still doesn’t exist, but we always have Project Censored’s yearly book to pull together the most important things the corporate media ignored, missed, or botched.” –Russ Kick, author of You Are Being Lied To, Everything You Know Is Wrong, and the New York Times bestselling series The Graphic Canon.
“Hot news, cold truths, utterly uncensored.” —Greg Palast
“Those who read and support Project Censored are in the know.” —Cynthia McKinney
“[Censored] offers devastating evidence of the dumbing-down of main-stream news in America. . . . Required reading for broadcasters, journalists, and well-informed citizens.” —Los Angeles Times
“Most journalists in the United States believe the press here is free. That grand illusion only helps obscure the fact that, by and large, the US corporate press does not report what’s really going on, while tuning out, or laughing off, all those who try to do just that. Americans–now more than ever–need those outlets that do labor to report some truth. Project Censored is not just among the bravest, smartest, and most rigorous of those outlets, but the only one that’s wholly focused on those stories that the corporate press ignores, downplays, and/or distorts. This latest book is therefore a must read for anyone who cares about this country, its tottering economy, and–most important– what’s now left of its democracy.” –Mark Crispin Miller, author, professor of media ecology, New York University.
“The staff of Project Censored presents their annual compilation of the previous year’s 25 stories most overlooked by the mainstream media along with essays about censorship and its consequences. The stories include an 813% rise in hate and anti-government groups since 2008, human rights violations by the US Border Patrol, and Israeli doctors injecting Ethiopian immigrants with birth control without their consent. Other stories focus on the environment, like the effects of fracking and Monsantos GMO seeds. The writers point out misinformation and outright deception in the media, including CNN relegating factual accounts to the “opinion” section and the whitewashing of Margaret Thatcher’s career following her death in 2013, unlike Hugo Chavez, who was routinely disparaged in the coverage following his death. One essay deals with the proliferation of “Junk Food News,” in which “CNN and Fox News devoted more time to ‘Gangnam Style’ than the renewal of Uganda’s ‘Kill the Gays’ law.” Another explains common media manipulation tactics and outlines practices to becoming a more engaged, free-thinking news consumer or even citizen journalist. Rob Williams remarks on Hollywood’s “deep and abiding role as a popular propaganda provider” via Argo and Zero Dark Thirty. An expose on working conditions in Chinese Apple factories is brutal yet essential reading. This book is evident of Project Censored’s profoundly important work in educating readers on current events and the skills needed to be a critical thinker.” -Publisher’s Weekly said about Censored 2014 (Oct.)
Buy it, read it, act on it. Our future depends on the knowledge this col-lection of suppressed stories allows us.” —San Diego Review
“Project Censored shines a spotlight on news that an informed public must have . . . a vital contribution to our democratic process.” —Rhoda H. Karpatkin, president, Consumer’s Union
“In another home run for Project Censored, Censored 2013 shows how the American public has been bamboozled, snookered, and dumbed down by the corporate media. It is chock-full of ‘ah-ha’ moments where we understand just how we’ve been fleeced by banksters, stripped of our civil liberties, and blindly led down a path of never-ending war.” –Medea Benjamin, author of Drone Warfare, cofounder of Global Exchange and CODEPINK.
“At a time when the need for independent journalism and for media outlets unaffiliated with and untainted by the government and corporate sponsors is greater than ever, Project Censored has created a context for reporting the complete truths in all matters that matter. . . . It is therefore left to us to find sources for information we can trust. . . . It is in this task that we are fortunate to have an ally like Project Cen-sored.” —Dahr Jamail


As the U.S. “War on Drugs” begins to look more and more like a losing battle, a number of stories are beginning to come in from the field that tell of conflicting priorities and closed-door deals.

One of the most extraordinary stories is about Richard Gregorie who was one of the nation’s most successful Mafia prosecutors when he was sent to Miami with orders to go after the top people in the cocaine business.

He did that for eight years and became the top federal narcotics prosecutor in Miami before quitting in January, 1989, after State Department officials repeatedly interfered in his investigations.

Gregorie had become something of a local hero after making cases against big-time cocaine bosses and drug-corrupted officials from Miami to Medellin. But as Gregorie began penetrating the higher levels of the cocaine business, he began to target foreign officials of supposedly friendly nations, including General Manuel Noriega of Panama while State Department officials were still courting the dictator.

Gregorie’s elaborate, undercover sting operations began to concern intelligence and State Department officials and he was soon told to stay away from certain sensitive areas. “I feel a lot like the soldiers in Vietnam felt. We are not being allowed to win this war,” said Gregorie. “I give an ‘F’ to the State Department and I give an F to our foreign policy people.”

Gregorie’s operations were subsequently stopped at the request of the State Depart­ment and he quit in protest. A free lance journalist subsequently was assigned by an editor at ?he New York Times Magazine to do a profile of Richard Gregorie. After two months of interviews, research, and writing, the author submitted the article; it was killed by a deputy or senior editor. The author said the article was not “censored” but rather was killed for literary or technical reasons.

Meanwhile Gregorie’s charges were validated by the findings of a Senate Foreign Relations Subcommittee on Narcotics, Terrorism and International Operations which concluded that foreign policy interests were permitted to sidetrack, disrupt, and undercut the war on drugs.

Committee investigators also said that their inquiry was hindered by uncooperative federal officials, while committee chair John Kerry disclosed that Lawrence E. Walsh, the independent counsel investigating the Iran-contra affairs, was investigating allegations that Reagan administration officials sought to obstruct the committee’s investigation.

The report itself quotes Jeffrey Feldman, a former U.S. attorney in Miami, as having said that justice department officials told him that representatives of the department, Drug Enforcement Administration, and FBI met in 1986 “to discuss how Senator Kerry’s efforts” to push for hearings “could be undermined.”

Considering that the mass media have been the primary vehicle for the administra­tion’s “war on drugs,” it is ironic that these seemingly contradictory stories were virtually ignored by the same mainstream press.


SOURCE: RICHARD GREGORIE (personal phone call), DATE: 10/10/89

SOURCE: NBC NIGHTLY NEWS 4001 Nebraska Avenue Washington, D.C. 20016, DATE: 2/22/89



San Francisco, CA 94103, DATE: 4/15/89


SOURCE: DAVID HAWARD BAIN (personal letter), DATE: 12/1/89

COMMENTS: Richard Gregorie, former federal narcotics prosecutor now in private law practice in Miami, Florida, said he was surprised when a New York Times Magazine article wasn’t published after lengthy interviews with the author, David Haward Bain. Bain, the free lance author who had been assigned by the Times to do a profile of Gregorie, said the article was killed for literary or technical reasons and not because of censorship. Bain said he spent a week in Miami interviewing Gregorie and many of his associates and several additional weeks of phone calls to other professionals and politicians around the country. He concluded “Not publishing this profile has been a deep disappointment for me, but there is no one to blame, only events. That’s the news. What I regret even more, though, is having lost the chance to trumpet the story of a genuine American hero, Dick Gregorie. It is a shame the government, his former employer, did not listen to him –just as it is a shame that we citizens do not have him protecting our interests as he did for seventeen years.”

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