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“Project Censored continues to be an invaluable resource in exposing and highlighting shocking stories that are routinely minimized or ignored by the corporate media. The vital nature of this work is underscored by this year’s NSA leaks. The world needs more brave whistle blowers and independent journalists in the service of reclaiming democracy and challenging the abuse of power. Project Censored stands out for its commitment to such work.” —Deepa Kumar, author of Islamophobia and the Politics of Empire and associate professor of Media Studies and Middle Eastern Studies at Rutgers University
“Project Censored interrogates the present in the same way that Oliver Stone and I tried to interrogate the past in our Untold History of the United States. It not only shines a penetrating light on the American Empire and all its deadly, destructive, and deceitful actions, it does so at a time when the Obama administration is mounting a fierce effort to silence truth-tellers and whistleblowers. Project Censored provides the kind of fearless and honest journalism we so desperately need in these dangerous times.” —Peter Kuznick, professor of history, American University, and coauthor, with Oliver Stone, of The Untold History of the United States
“Censored 2014 is a clarion call for truth telling. Not only does this volume highlight fearless speech in fateful times, it connect the dots between the key issues we face, lauds our whistleblowers and amplifies their voices, and shines light in the dark places of our government that most need exposure.” –Daniel Ellsberg, The Pentagon Papers
“Activist groups like Project Censored . . . are helping to build the media democracy movement. We have to challenge the powers that be and rebuild media from the bottom up.” —Amy Goodman
“At a time when the need for independent journalism and for media outlets unaffiliated with and untainted by the government and corporate sponsors is greater than ever, Project Censored has created a context for reporting the complete truths in all matters that matter. . . . It is therefore left to us to find sources for information we can trust. . . . It is in this task that we are fortunate to have an ally like Project Cen-sored.” —Dahr Jamail
“Project Censored shines a spotlight on news that an informed public must have . . . a vital contribution to our democratic process.” —Rhoda H. Karpatkin, president, Consumer’s Union
“[Censored] offers devastating evidence of the dumbing-down of main-stream news in America. . . . Required reading for broadcasters, journalists, and well-informed citizens.” —Los Angeles Times
“In another home run for Project Censored, Censored 2013 shows how the American public has been bamboozled, snookered, and dumbed down by the corporate media. It is chock-full of ‘ah-ha’ moments where we understand just how we’ve been fleeced by banksters, stripped of our civil liberties, and blindly led down a path of never-ending war.” –Medea Benjamin, author of Drone Warfare, cofounder of Global Exchange and CODEPINK.
“For ages, I’ve dreamed of a United States where Project Censored isn’t necessary, where these crucial stories and defining issues are on the front page of the New York Times, the cover of Time, and in heavy rotation on CNN. That world still doesn’t exist, but we always have Project Censored’s yearly book to pull together the most important things the corporate media ignored, missed, or botched.” –Russ Kick, author of You Are Being Lied To, Everything You Know Is Wrong, and the New York Times bestselling series The Graphic Canon.
“Those who read and support Project Censored are in the know.” —Cynthia McKinney
“[Censored] should be affixed to the bulletin boards in every newsroom in America. And, perhaps read aloud to a few publishers and television executives.” —Ralph Nader
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“The staff of Project Censored presents their annual compilation of the previous year’s 25 stories most overlooked by the mainstream media along with essays about censorship and its consequences. The stories include an 813% rise in hate and anti-government groups since 2008, human rights violations by the US Border Patrol, and Israeli doctors injecting Ethiopian immigrants with birth control without their consent. Other stories focus on the environment, like the effects of fracking and Monsantos GMO seeds. The writers point out misinformation and outright deception in the media, including CNN relegating factual accounts to the “opinion” section and the whitewashing of Margaret Thatcher’s career following her death in 2013, unlike Hugo Chavez, who was routinely disparaged in the coverage following his death. One essay deals with the proliferation of “Junk Food News,” in which “CNN and Fox News devoted more time to ‘Gangnam Style’ than the renewal of Uganda’s ‘Kill the Gays’ law.” Another explains common media manipulation tactics and outlines practices to becoming a more engaged, free-thinking news consumer or even citizen journalist. Rob Williams remarks on Hollywood’s “deep and abiding role as a popular propaganda provider” via Argo and Zero Dark Thirty. An expose on working conditions in Chinese Apple factories is brutal yet essential reading. This book is evident of Project Censored’s profoundly important work in educating readers on current events and the skills needed to be a critical thinker.” -Publisher’s Weekly said about Censored 2014 (Oct.)
“Most journalists in the United States believe the press here is free. That grand illusion only helps obscure the fact that, by and large, the US corporate press does not report what’s really going on, while tuning out, or laughing off, all those who try to do just that. Americans–now more than ever–need those outlets that do labor to report some truth. Project Censored is not just among the bravest, smartest, and most rigorous of those outlets, but the only one that’s wholly focused on those stories that the corporate press ignores, downplays, and/or distorts. This latest book is therefore a must read for anyone who cares about this country, its tottering economy, and–most important– what’s now left of its democracy.” –Mark Crispin Miller, author, professor of media ecology, New York University.
Buy it, read it, act on it. Our future depends on the knowledge this col-lection of suppressed stories allows us.” —San Diego Review
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Fukushima: An Update from Japan

by Brian Covert

When International Atomic Energy Agency (IAEA) officials praised the authorities in Japan in October 2011 for their “efficient” handling of the Fukushima nuclear accident seven months after it occurred, perhaps the organization was speaking a little too soon or thinking too wishfully.

Or perhaps it had something to do with the head of the IAEA at the time, Yukiya Amano, being a career bureaucrat from Japan who was just doing what he was hired to do. Or perhaps the IAEA itself was just doing the job it was created to do back in 1957 by the United Nations of supporting and promoting the “peaceful use” of nuclear energy worldwide.

Or maybe it was just a simple matter of laying the first foundation of The Official Story: that the Fukushima nuclear disaster was basically, as Japanese authorities have insisted, sotei-gai — beyond expectations — that it was totally unforeseen and could not possibly have been predicted, but not to worry: Everything would soon be under control and back to business as usual.

Despite the best efforts of a “poodle press” in Japan, snuggled comfortably in the elite laps of power, to repeat such reassuring words to an anxious public, some of the truth did manage to come out about what is arguably the worst nuclear accident in human history.

Looking back decades from now, however, 2013 may well be remembered as the year when the iron lid finally came down over the truth and The Official Story concerning Fukushima was set firmly in place.

It was this year that the Tokyo Electric Power Co. (TEPCO), operator of the Fukushima plant, admitted that, among other problems, 300 tons of radioactive groundwater could not be stopped from leaking every day from the Fukushima plant into the nearby Pacific Ocean. It was highly contaminated water, of course, but it was not officially expected to harm sea life or human beings in any way. Not to worry.

Then there was the announcement in September 2013 that Tokyo — a city located less than 320 kilometers (200 miles) from the ongoing nuclear crisis at Fukushima — was chosen to be the site of the 2020 Summer Olympic Games.

A month later, as if to bolster Japan’s good news, a United Nations scientific committee, in a report to be submitted to the UN General Assembly, downplayed all the public worry over Fukushima. The UN committee placed the levels of radiation as being “very low,” stating: “No discernible increased incidence of radiation-related health effects are expected among exposed members of the public or their descendants.” This prompted a strong rebuke from citizens groups and others in Japan who saw this as an attempted whitewash of major proportions by the UN.

But there was one more step to be taken before The Official Story could be called airtight: In November and December 2013, the Japanese government — with the blessing of the administration of U.S. President Barack Obama and despite strong public opposition at home in Japan — proceeded to ram a bill through its parliament that, upon becoming law, would make whistleblowing a crime of state that could result in a prison term of up to 10 years.
This “state secrets protection bill” was supposedly intended to protect Japanese government and military secrets from possible terrorist actions (and, no doubt, from an Edward Snowden-type of situation) at a time when Japan’s military-industrial complex was expanding in lock-step with that of the U.S. But it could also be considered no mere coincidence that this state secrets bill was being pushed through to law at a time when TEPCO was just starting a yearlong operation in decommissioning the Fukushima nuclear plant that was unprecedented both in scale and in the potentially devastating consequences that could result if the slightest thing — forces of nature, mechanical failure, human error — went wrong in the course of that year.

This operation involves removing some 1,500 fuel rods from a Fukushima reactor, one by one, and placing them in a more secure area, something that has never been attempted before anywhere. Radiation levels said to be many thousands of times those of the 1945 U.S. atomic bombing of Hiroshima could be emitted from the Fukushima nuclear plant if any unforeseen problems occur along the way.

Now that Japan’s state secrets bill has become law, leaking sensitive information concerning Fukushima could technically be considered a crime, both for the whistleblower who leaks it and for any journalist who reports it. The extended “war on terror” has now joined hands with “atoms for peace,” with truth becoming the first casualty.

As of the end of 2013, nearly three years after the crisis began at Fukushima, there are an estimated 150,000-plus Japanese residents evacuated from the Fukushima area, many living in temporary housing. Some of that housing is reportedly now in substandard condition, with residents essentially being left to fend for themselves.

Confirmed cases of thyroid cancer are now appearing in some children from the Fukushima area, and the numbers of such cases are certain to rise in the future. Reports of increased levels of radiation, of varying degrees, have also come up throughout Japan and beyond its borders.

Meanwhile, TEPCO and two government ministries are busy arguing about which one of the three parties is responsible for cleaning up the contaminated water that is seeping into the ground and into the nearby sea. And yet, in spite of these and many other problems along the way, the IAEA has wavered little in its praise for Japan’s handling of the Fukushima accident and the quote-unquote “good progress” that has resulted.

The Official Story surrounding Fukushima is one of an unexpected disaster being dealt with swiftly and safely by honest, open authorities facing unlucky circumstances — and being duly investigated by an independent-minded news media that is diligently doing its job. But like all official stories, this story has a long and sordid history behind it. It is a history that people need to know about if they are to understand how and why Fukushima happened in the first place, and which direction the crisis is likely to take in the future.

Here, then, is the story behind the story of Fukushima.

This research was originally published as chapter 14 in Censored 2013: Dispatches From the Media Revolution, eds. Mickey Huff, Andy Lee Roth, and Project Censored (New York: Seven Stories Press, 2012).

On the Road to Fukushima: The Unreported Story behind Japan’s Nuclear-Media-Industrial Complex

Prologue

The most powerful earthquake to ever hit the islands of Japan struck on the afternoon of March 11, 2011. The magnitude 9 quake, centered about 70 kilometers (43 miles) off the Pacific coast, sent oceanic shock waves racing toward Japan’s northeastern Tohoku region. Located squarely on the tsunami’s course were coastal areas that are also home to several nuclear power plants, such as in Fukushima Prefecture, which is situated about 240 kilometers (150 miles) from Tokyo, the most populated metropolis on the planet. As it became clear that something had gone seriously wrong and, due to the tsunami, Japan now had a nuclear catastrophe on its hands at Fukushima, all eyes turned to the Japanese press.

But the Japanese press was nowhere to be found. In the immediate aftermath of reactor meltdowns and the release of radioactivity at the Fukushima Nuclear Power Plant, when evacuations and press restrictions had not yet been set by Japan’s government, the major Japanese news companies did not have a single reporter on the ground in the area.1 Such media companies in Japan usually spare no expense in having their reporters or photographers camp for days at a time outside the homes of suspects in sensationalized crime cases or when stalking scandal-tainted celebrities. But when it comes to pursuing real news stories of public concern, investigating the nation’s political or corporate centers of power, and exercising the freedom of press as enshrined in the Japanese constitution, the news media of Japan can be strangely submissive or even silent. Nowhere has that been more on display than in the reporting of the Fukushima nuclear crisis.

How is it that one of the most technologically advanced, democratic societies in the world finds itself with a press that serves more as a lapdog to the powerful than as a watchdog for the public? How does Japan’s nuclear power industry in particular fare in the news media? And more importantly, how is censorship fostered in such an environment and how did it get this way?

The answers to such questions can be found by taking a look back on the road to Fukushima that Japan has traveled since the Second World War. It is the story that most of the mainstream media in Japan are failing to report or to piece together in the wake of Fukushima, perhaps because, in many ways, the media itself is the story.
It is the story of how of the Japanese press has risen to become a global media power unto itself,2 and how Japan’s corporate-dominated news industry grew hand-in-glove with the nation’s development of atomic energy and other major industries following the war. It is the story of a Japanese war crimes suspect imprisoned by US occupation forces, of Japan’s preeminent media tycoon, of the godfather of Japanese nuclear power development, and of the father of Japanese professional baseball—all of whom happen to be the same man, the powerful Japanese predecessor of today’s Rupert Murdoch.
It is the story of the power wielded by right-wing forces in Japan and, at the fringes, of the Japanese mafia. It is a story that also closely involves the United States of America as benefactor: the Central Intelligence Agency, the US Congress, and the US media establishment. It is the story of America’s Cold War geopolitical priorities over the long-term security and environmental safety of the planet.

It is the story, in the end, of Japan’s rise as a modern nuclear-media-industrial power from the ashes of Hiroshima and Nagasaki in 1945 up to Fukushima more than sixty-five years later. This report attempts to connect the dots of Japan’s atomic past and present, providing the much bigger picture behind the individual acts of censorship surrounding Fukushima and, in doing so, will hopefully offer lessons for the future of a democratic, responsible press in Japan.

The Shoriki Factor

If there is one person who has stood at the nexus of nuclear power, media conglomeration, politics, and industrial development in postwar Japan, it would be Matsutaro Shoriki.

Shoriki, in the early 1920s, was a high-ranking official of the Tokyo Metropolitan Police Department, and in previous years had reportedly been involved in every major incident of police repression of social unrest.3 That included the Great Kanto Earthquake of September 1923, Japan’s deadliest natural disaster up to then, in which more than 100,000 people died and tens of thousands of others went missing.4

After the earthquake’s ensuing panic and confusion and the Japanese government’s declaration of martial law, the police took the opportunity to round up ethnic Koreans living in Japan, along with leading Japanese socialists, anarchists, labor activists, and other leftist dissidents of the day—some of whom were later reported killed.5 This all happened on Shoriki’s watch, and a month after the quake he was promoted to a department head position within the Tokyo police hierarchy.6 Shoriki’s law enforcement career came to a halt a couple months later, however, when a young Communist Party supporter attempted to shoot Hirohito, the emperor-to-be, in public. Shoriki was among those dismissed from their police posts for the lapse in security surrounding the assassination attempt.

It was the end of Shoriki’s days as a hard-line police official, but just the beginning of his career as a central figure in the Japanese media world.

One month after his firing from the Tokyo metropolitan police, Shoriki—with no past media experience whatsoever—found himself serving as president of the Yomiuri Shimbun newspaper, then a fledgling 50,000-circulation Japanese metropolitan daily paper in Tokyo.7 He had bought out a controlling stake in the newspaper through a huge personal loan from a cabinet minister then serving in the Japanese government. A rebellion immediately arose among the editorial staff of the paper, but the new owner had no regrets. “Instead of committing hara-kiri” (ritual disembowelment) over the police firing, “I bought a newspaper,” Shoriki would boast.8

The openly pro-capitalistic, anticommunistic Shoriki quickly showed himself as having a finger on the public pulse, understanding well the links between three key areas: mass entertainment, mass mobilization, and massive profits.9

His Yomiuri Shimbun newspaper company sponsored tours in Japan of major league baseball players from the US—first in 1931, then again in 1934, when the Yomiuri paid for US baseball legends Babe Ruth, Lou Gehrig, and others to come and play in Japan. The next year, the Yomiuri Shimbun newspaper created its own baseball team, the Yomiuri Giants, in the exact image of the famed Giants baseball team of New York (later of San Francisco). In 1936, Japan’s first professional baseball league was started, with Shoriki going on to serve as owner of the Yomiuri Giants pro team and as the first commissioner of the Nippon Professional Baseball league years later.

By the late 1930s and early 1940s, the winds of war were blowing in Japan. All of the Japanese press was expected by the military-dominated government to support Japan’s war of aggression throughout East Asia and the Pacific, and the major news publications—from liberal to conservative—toed the line, either under government pressure or out of a sense of patriotism. Two days after the Japanese military attack on the US-occupied Pacific island of Hawaii in December 1941, the major newspapers in Japan sponsored a public rally in Tokyo denouncing the US and Britain. Shoriki, representing the Yomiuri Shimbun newspaper, was reportedly one of the main speakers.10

In the fifteen years since Shoriki had taken over the paper, the Yomiuri had gone from being a fairly liberal Tokyo metro daily paper to being an unashamedly conservative national daily newspaper—the third-largest daily paper in Japan, in fact—with a circulation of 1.2 million.11 The Yomiuri became the most nationalistic of Japan’s mainstream news media during World War II. For his efforts, Shoriki, like other press executives in Japan, was appointed to several key government propaganda organizations during the war, including as cabinet-level advisor in the government.12

Behind Prison Walls

Following the US atomic bombings of Hiroshima and Nagasaki, which killed more than 200,000 people in August 1945, and Japan’s formal surrender a month later, the occupation forces under General Douglas MacArthur wasted no time in sniffing out suspected war criminals as part of victor’s justice, Yankee-style.

The top ranking of war criminals, “Class A,” applied to persons in the highest decision-making bodies in Japan who were believed to have taken part in the starting and/or waging of war against the Allied powers. Among those who were openly demanding that the Americans include Shoriki, the Yomiuri newspaper president, in that Class-A category were Shoriki’s longtime enemies on the Japanese political left and, incredibly, some of the newspaper magnate’s own editorial staff at the Yomiuri Shimbun.13 Long considered to be something of a “dictator” within his paper,14 Shoriki was now facing a serious mutiny by his crew at a very sensitive time in Japanese history. In December 1945, he was ordered by the US occupation forces to report to Japan’s notorious Sugamo Prison in central Tokyo as an inmate.

The dozens of initial suspects of Class-A war crimes at the prison made up a virtual “who’s who” of the most elite of Japanese political, military, and business circles. Shoriki was placed in cellblock 2-B of the prison, directly across from a prominent industrialist who had once been head of the mighty Nissan group of corporations.15 As a media baron, Shoriki commanded respect even behind bars. The Buddhist priest in charge of counseling the accused war criminals at the prison recalled: “Mr. Shoriki, former president of the ‘Yomiuri Newspaper,’ I had met two or three times at banquets given by the Chief Priest, whose advisors in various matters we both had been. He [Shoriki] was still as vigorous as ever. . . .”16

George Herman Ruth, one of the US baseball idols invited by Shoriki to play for Japanese audiences back in the 1930s, had little sympathy for his former patron. “That bum [Shoriki] seemed like a pretty nice fellow,” Babe Ruth, now retired from baseball, said on hearing the news of Shoriki’s imprisonment in Tokyo. “I guess he was too nice, come to think of it. All any of them guys did was bow to us, and even then they must have had a knife in their kimona [sic].”17 Ruth even complained that the American ballplayers had been cheated during their tour of Japan a decade before: “Shoriki didn’t pay us what he promised to pay. Most of us spent more money in Japan than we made.”18
As Shoriki and the others languished in prison not knowing their fate, the US, at least in the early stages, proceeded with its plan of “reforming” Japan, putting a high priority on strengthening democratic institutions and the rights of the individual.

But a funny thing happened on the way to democracy: on a parallel track, the government of the United States, under the umbrella of the Truman Doctrine of President Harry Truman, was also proceeding on a “reverse course” in Japan. From 1947–48 onward, the US priority began shifting away from promoting democracy to fighting communism. General MacArthur’s occupation forces in Tokyo now sought to “strengthen, not punish” right-wing Japanese leaders so as to secure Japan as a key ally especially against the regional influence of Communist China.19

The Cold War was starting and, almost overnight, the US had gone from purging its sworn wartime enemies on the political right in Japan to purging those on the left. Japanese ultra-rightist organizations and even the yakuza, Japan’s mafia syndicates, were becoming useful tools for the US occupation authorities in suppressing the growing social movement of organized labor and liberal political dissent, including in the Japanese news media.20

And so it was that right-wing media mogul Matsutaro Shoriki walked out of the Tokyo prison gates on September 1, 1947—twenty-one months of prison time served and no war-crime charges filed against him.21 Shoriki and many of his fellow Japanese war-criminal suspects were looking much more useful to the United States beyond—rather than behind—prison walls.

Television and “Atoms for Peace”

In summer 1951, with the official end of the American occupation of Japan just around the corner, Shoriki and other released Japanese war criminal suspects were finally removed from General MacArthur’s war-criminal “purge list” and were now free to resume their former public lives. Shoriki received his pardon on August 6, the sixth anniversary of the Hiroshima atomic bombing. The very next day, he went to work on his next big project: establishing Japan’s first commercial television network.22

In this venture, Shoriki had warm support from conservative members of the US Congress, who, like their right-wing counterparts in Japan, apparently saw the mass media not as a way to inform or educate the poverty-stricken Japanese masses but rather as a means to essentially feed the Japanese public a steady stream of pro-American messages of progress and development in the postwar period.

Shoriki’s key ally in the US Congress for this was Karl Mundt, a Republican senator from South Dakota. Through the mid-1940s, Mundt had served as an active member of the House Un-American Activities Committee (HUAC) that was investigating suspected Communist infiltration throughout US society. During that same period, Mundt pushed a bill through Congress in 1948 that became law, creating the Voice of America short-wave radio propaganda program.23 But Mundt had an even bigger dream: using the rising medium of television to carry VOA broadcasts throughout the world, including in Japan, as a way to counter the growing global “red” menace. Mundt called his grand plan “Vision of America.”24

It was Hidetoshi Shibata, then a popular conservative, America-friendly radio commentator on Nippon Hoso Kyokai (NHK, Japan’s public broadcaster) and a former Yomiuri newspaper reporter under Shoriki, who eventually hooked up Mundt and Shoriki.25 On August 14, only a week after Shoriki’s pardon as a US-branded war crimes suspect, Mundt, at a press conference in Washington DC accompanied by a member of Japan’s parliament, announced plans for a team of three American “experts” to fly to Japan the following week to firm up the plans for this new Japanese TV broadcasting network.26 Another week later, the Japanese and American sides met in Tokyo and worked out the details: it was agreed that instead of making this new TV station a part of Mundt’s worldwide “Vision of America” scheme, it would be a wholly Japanese-owned and Japanese-run network financed in part by airing Voice of America radio broadcasts within Japan.27

Shoriki had meanwhile regained his old position as the largest shareholder of the Yomiuri paper, and now persuaded the heads of his archrival daily newspapers, the liberal Asahi and Mainichi, to join the conservative Yomiuri in putting up joint capital of about ¥2 billion ($25 million) for the TV station. Shoriki also used his highly placed connections in Japanese government and financial institutions to further strengthen support for the new station, promoting the TV network as potentially attracting three million Japanese viewers within five years.28

In July 1952, just three months after the US occupation bureaucracy had packed its bags and gone home, the new Nippon Television Network (NTV) was granted its broadcasting license by Japanese media regulators. Shoriki became the first president of NTV in October 1952, and in August 1953, the station went on the air with black-and-white television programs. Now it was just a matter of getting the message out to the masses.

“Kilowatts, not killing”

At the United Nations in December 1953, US President Dwight Eisenhower announced the start of his “Atoms for Peace” program. Several months later in September 1954, US atomic energy commissioner Thomas Murray stood before a convention of American steelworkers at Atlantic City, New Jersey, and called for a nuclear power plant to be built in Japan with US know-how and manpower as “a dramatic and Christian gesture which would lift all of us far above the recollection of the carnage” of Hiroshima and Nagasaki nine years before.29 An editorial in the Washington Post immediately and enthusiastically supported this “brilliant idea,” stating: “How better, indeed, to dispel the impression in Asia that the United States regards Orientals merely as nuclear cannon fodder!”30

A few months after that in early 1955, Representative Sidney Yates, a Democrat from Illinois, took it even further when he stood on the floor of the US Congress and called for that proposed first nuclear power plant in Japan to be constructed, of all places, in the atomic-bombed city of Hiroshima. He was then sponsoring a bill in Congress for a 60,000-kilowatt nuclear power generating plant to be built in Hiroshima as part of Eisenhower’s “Atoms for Peace”—a power plant, Yates said, that would “make the atom an instrument for kilowatts rather than killing.”31 (Plans for the Hiroshima nuclear plant eventually fizzled out.)

Back in Japan around that same time, Matsutaro Shoriki, while still president of NTV, campaigned in February 1955 for a seat in his own country’s House of Representatives and won. He was appointed to the cabinet-level position of minister of state. Everything now seemed to be in place. For the better part of 1955, Eisenhower’s newly established United States Information Service (USIS), with its mission of overseas “public diplomacy” (read: propaganda) and Shoriki’s Yomiuri Shimbun newspaper, which now had a colossal circulation of more than two million readers,32 worked closely together on plans to bring America’s atomic-age vision to the Japanese people.33

The Atom Returns to Japan

On November 1, 1955, the USIS and Shoriki’s Yomiuri Shimbun newspaper kicked off the opening of a futuristic, traveling “Atoms for Peace” exhibition at an event hall in downtown Tokyo, not far from the Imperial Palace.

The fifteen sections of the exhibition, touted as the first of its kind in Far East Asia, explained “how the boundless wealth of the atom has been unlocked, and now it is already being used in many ways for man’s benefit in medicine and industry.” The exhibition was to be shown in Tokyo for a month and a half, then rotated on to seven other major Japanese cities.34 The exhibition included profiles of ten pioneering nuclear scientists; a small demonstration nuclear reactor; a movie about the peaceful uses of nuclear energy; panel displays; and an introduction to the medical, agricultural, and industrial uses of atomic isotopes.35 On New Year’s Day of 1956, while the exhibition was still touring Japan, state minister Shoriki was appointed the first chairman of the Japan Atomic Energy Commission, a move praised by US atomic energy commissioner Lewis Strauss as “an important contribution to international peace.”36

The “Atoms for Peace” exhibition finally arrived in Hiroshima in May 1956 and was shown for three weeks at the recently opened Hiroshima Peace Memorial Museum, located within the city’s Peace Memorial Park commemorating the victims of the 1945 US atomic bombing. An estimated 110,000 Japanese visitors came to see the “Atoms for Peace” exhibition in Hiroshima, and a reported 2.5 million people had seen the exhibition nationwide.37 At the end of it all, notwithstanding some public and press criticism that arose, the “Atoms for Peace” exhibition in Japan was considered a resounding success, primarily due to the positive spin given to it by the Japanese media, especially the Yomiuri newspaper and NTV network headed by Shoriki.38

Code Name: PODAM

Tetsuo Arima, a professor of media studies at the elite Waseda University in Tokyo, goes where the Japanese mainstream press fears to tread in researching and making public the CIA’s past connections to the media and nuclear power in Japan, having published several books on the subject in recent years. He has visited the US National Archives and Records Administration (NARA) in Washington DC and obtained almost 500 pages of once-secret documents detailing the introduction of atomic energy technology to Japan.39

“Relations with PODAM have now progressed to the stage where outright cooperation can be initiated,” Arima quotes one of those CIA documents as reading, concerning political maneuvering against the Japan Communist Party back in the 1950s.40 Another document approves “PODAM” as being used to gain information about political developments and trends in Japan, along with information on persons working in Japanese newspapers and media. PODAM, the code name of a CIA asset, was none other than Japanese media tycoon Matsutaro Shoriki.41

Indeed, a cursory check of the NARA website (www.archives.gov) reveals Matsutaro Shoriki as being listed under the cryptonym PODAM as well as “POJACKPOT-1.”42 Equally revealing is Shoriki’s TV station, Nippon Television, being listed in the archive’s CIA file index as part of a project called “KMCASHIER.”43 Project KMCASHIER, as Arima notes, was a failed 1953 US plan to construct a massive microwave communications network covering four Asian countries (Japan, South Korea, Taiwan, and the Philippines) as part of a larger international microwave communications network. Japan’s role in KMCASHIER was listed under the CIA code name of “POHIKE.”44 “POBULK” is listed in the archive index as the CIA code name for the Yomiuri, Shoriki’s newspaper.

Arima found also that Shibata, the popular NHK radio newscaster who initially put Shoriki in touch with US senator Mundt of VOA fame, had contacted and met in Tokyo with persons connected with the CIA (presumably on Shoriki’s behalf), both before and after Shoriki obtained the broadcast license for NTV.45 The professor also came across a document dated May 5, 1955—placing it around the time of joint preparations by the USIS and Shoriki’s Yomiuri newspaper for the “Atoms for Peace” exhibition—in which a “provisional” security clearance was sought for Shoriki as an “unwitting cutout.”46 This indicates that Shoriki would have been considered a trusted intermediary for passing along highly sensitive information, yet not necessarily aware of the details of that information or exactly how he was being used for such intelligence purposes.

According to one CIA document that Arima uncovered, Shoriki as atomic energy commissioner was so impatient to get nuclear power online in Japan following the 1955–56 “Atoms For Peace” exhibition that he seriously considered buying a small reactor to power his own home as a public show of atomic energy’s benefits.47 And what was PODAM’s urgent motivation? To help reach his political aspiration of becoming the prime minister of Japan.

The Deep Ties that Bind

Japanese nuclear power, industrial production (especially in electronics), and the news media grew side by side in the critical Cold War years that would see Japan elevated to the status of “economic miracle.” Without doubt, from the end of the Second World War onward, the media industry has been a crucial part of that whole corporate synergy in Japan—not an objective, neutral force standing outside it.48

That is still the situation today for the most part. The electric power companies in Japan advertise widely in the major print and broadcast media companies. Tokyo Electric Power Company (TEPCO)—operator of the Fukushima nuclear plant and two others—alone spent about ¥27 billion ($330 million) on public relations and other events promoting nuclear energy in 2010, ranking tenth highest among all Japanese corporations in the amount of money spent on such expenses that year.49 Of that amount, TEPCO spent ¥9 billion ($110 million) directly on advertisements placed in the media.50

So what effect does this kind of relationship between nuclear energy and media in Japan have on news coverage? According to author and independent journalist Osamu Aoki, a former reporter for Japan’s Kyodo News wire service, “Newspapers, TV, magazines—it makes no difference: because they receive these huge advertising monies, it’s hard for them to criticize the power companies, especially with nuclear power. It’s a taboo that’s been going on for some time.”51

Where Japan differs from the US and other developed countries is in the sheer breadth and depth of external press controls and media self-censorship in the form of the “kisha club” (reporters’ club) system.52

The kisha clubs are press clubs attached to various Japanese government agencies (from the highest levels of government down to local government agencies), political parties, major corporations, consumer organizations . . . and electric power companies. At last count there were an estimated 800 to 1,000 kisha clubs nationwide. Membership in such clubs is mostly restricted to the big Japanese newspaper and broadcasting companies, with smaller Japanese media and the foreign press normally not allowed in. One important rule: kisha club reporters are not usually allowed to “scoop” fellow club members on any given story, even if they are reporters for rival Japanese news companies. In most cases a kisha club is based on the premises of the institution that the reporters are covering, with the operating expenses of the club paid by that institution. The kisha club rooms generally are off-limits to the average Japanese citizen, even when located inside of public buildings.

TEPCO, like other power companies around Japan, has its own in-house kisha club. And what was the chairman of TEPCO doing at the time of the March 11 quake/tsunami and subsequent Fukushima nuclear plant disaster? He was hosting Japanese journalists on a press junket in China, courtesy of the power company.53

According to an independent journalist attending a press conference hosted by TEPCO soon after the accident on March 11, 2011, not one of the power company’s kisha club reporters got around to asking the TEPCO chairman at press conferences about the possibility of plutonium leaks from the Fukushima plant until the independent journalist himself raised the critical question two weeks after the accident. Another independent Japanese reporter working for Internet media was shouted down by the TEPCO kisha club reporters when he tried to ask the TEPCO chairman a question at the same press conference. These are not uncommon occurrences at kisha clubs in Japan.54

How did all of this translate in terms of Japanese versus overseas reporting on Fukushima soon after the accident? There were often major gaps between the two. On the morning of March 12, the day after the accident, for example, Japan’s public broadcaster, NHK television, was telling evacuees from Fukushima to calmly “walk instead of drive to an evacuation area” while also repeating Japanese government assurances that there was “no immediate danger.”55 That same morning, the tone of reports carried on BBC News, as just one foreign news media source, was one of skepticism of such Japanese government assurances rather than blind acceptance.56 That kind of gap between Japanese and overseas coverage would widen considerably as the Fukushima crisis went on, with the Japanese public increasingly voicing distrust of their government and suspicious that Japan’s media were not reporting the whole story.

That is certainly true for one related issue that has been underreported in Japan for years: the so-called “nuclear gypsies”—the thousands of day laborers, many unskilled and homeless, that make up a large part of the workforce at Japan’s fifty-four nuclear power plants nationwide—and the yakuza (organized crime) syndicates as suppliers of such temporary workers to the industry.57 The underside of Japan’s economic miracle in the postwar era was the existence of pools of cheap, “disposable” labor from the slums of the big cities, such as the Sanya district in Tokyo and Kamagasaki district in Osaka, working in the vast construction industry with which the yakuza have long been aligned. But the electric power companies today also use such day laborers, doing highly dangerous work with little or no job security, and many of these nuclear workers are financially exploited by the yakuza and other labor agents as well.

It has been left mainly to independent journalists in Japan to uncover and expose these facts. One of them, photographer Kenji Higuchi, had worked for decades before Fukushima, trying to tell an indifferent Japanese media and public the stories of these exploited, intimidated nuclear power plant workers and the illnesses that afflicted them after they had worked at the plants. Higuchi’s efforts to get at the truth are the focus of a short documentary film, Nuclear Ginza, broadcasted in 1995 on Britain’s Channel 4 television.58 More recently, another Japanese independent journalist, Tomohiko Suzuki, went undercover as a day laborer at the Fukushima nuclear power plant after the March 2011 accident and found that the yakuza were still recruiting day laborers to work there, with top management at the Fukushima plant—like most construction companies in Japan—not necessarily knowing (or caring) how these workers got hired there in the first place.59

The Selling of a “Miracle Man”

To be fair, the Japanese people are not the only ones who have been sold a bill of goods about nuclear power and been shielded from seeing its dark side by the media. Americans have too, and the US media role over the years is one that has to be acknowledged in this post-Fukushima age. This is most clearly seen in the US media treatment of Matsutaro Shoriki and the vital role he played in bringing US-sponsored atomic energy to Japan during the Cold War years.

In 1946, six months after the American occupation of Japan had begun, the US progressive magazine the Nation correctly noted how “Shoriki’s yellow journalism, combined with the scandalously low wages he paid his newsmen and printers, brought him rich profits, and his fervent support of aggression [in the Pacific War] won him a seat in the House of Peers and a position as Cabinet adviser.”60

Compare that with the glowing coverage a few years later by US mainstream media: Shoriki as “bitterly anti-Communist” ally to the US and Japan’s “most successful publisher,” known “among Western newsmen as the [William Randolph] ‘Hearst of Japan’” (Time magazine, 1954);61 Shoriki as “father of professional baseball in Japan” who nobly sent then–US president Eisenhower an ancient suit of Japanese armor as a show of goodwill (Washington Post, 1954);62 Shoriki as “Japan’s Mr. Atom,” a man who “has made a brilliant success of nearly everything he has tried” and who, “‘if he lives long enough . . . will make Japan one of the leading atomic powers of the world’” (New York Times Magazine, 1957);63 and Shoriki as pioneering TV network president aiming to make Japan the first country in the world to have color television (Time, 1959).64

Then there was the 1963 Time tribute to Shoriki as art connoisseur, head of his Yomiuri Shimbun newspaper’s own symphony orchestra, architect of the “Yomuiri Land” amusement park in Tokyo named for his newspaper, and all-around Man for the Millennium. The article quoted Bob Considine, a well-known columnist for the Hearst media empire in the US, who sounded almost shocked with awe: “[W]henever editors speak of the great press lords of our age, they often mention Hearst and sometimes [Canadian-British tycoon Lord] Beaverbrook. But they always mention Shoriki.”65

Just a few years earlier, this same Hearst underling and ghostwriter, Considine, had written the foreword to the American publishing industry’s own nod to Japan’s premier media baron in a 200-page book titled Shoriki: Miracle Man of Japan—A Biography. The book was published in 1957 by Exposition Press, back then a leading publisher of so-called “vanity books” that are essentially paid for by the person who is the subject of the biography—which, in this case, would have been Shoriki himself. The book was coauthored by the publishing company’s president, Edward Uhlan. A New York Times obituary would later list Shoriki: Miracle Man of Japan as one of the late Uhlan’s most noteworthy accomplishments.66

All in all, Shoriki: Miracle Man of Japan stands out as a cleverly crafted work of disinformation. It covers up Shoriki’s infamous reputation as a police bureaucrat before the Second World War, plays down his wartime role in anti-US propaganda and war-criminal imprisonment by the US after the war, and plays up his subsequent achievements in baseball, news media, and atomic energy in Japan—with a strong line of anticommunist sentiment running throughout. Newspaper, magazine, and book publishing media in the US had now weighed in with Shoriki and his crusade for a pro-America, pro-nuclear Japan, and on the whole found him to be on the right side of the cause.

Epilogue: The Road from Fukushima

When Matsutaro Shoriki died in 1969 at age eighty-four while in office as a representative of Japan’s parliament (and while still NTV network president), his obituary in the Washington Post was surprisingly sparse. Nowhere did the Post mention that Shoriki, as Japan’s first atomic energy commissioner, had been Washington’s point man on nuclear energy development after the war—indeed, he had led Japan to embrace atomic power as a prime energy resource ten years after Hiroshima and Nagasaki. Also missing was Shoriki’s tainted past as a former police official and as a prisoner during the US occupation of Japan. And of course, there was no mention at all of the CIA’s interest in Shoriki as an asset of the agency.67

Just a few years later in 1976, however, the late Shoriki’s name surfaced in connection with the “Lockheed scandal,” a major political scandal in Japan involving bribe money paid by the US aerospace corporation Lockheed to a former Japanese prime minister. The conservative Yomiuri newspaper denied allegations of Shoriki, its ex-president, having been a past “recipient of CIA favors” and spoke of suing for libel the American publications that carried the stories.68

If most Japanese people know or remember anything at all about the late press lord today, it is probably the “Matsutaro Shoriki Award” bestowed in Shoriki’s name every year with great fanfare to some outstanding Japanese baseball figure by NTV network and Yomiuri Shimbun newspaper—whose circulation of thirteen million readers today makes it reputedly the largest daily newspaper in the world.69 The majority of Americans know even less about Shoriki, including the fact that the prestigious Museum of Fine Arts in Boston today has a respectable chair position named after him.70 And for their part, few if any Japanese mainstream media companies in their news reporting are linking Shoriki to nuclear energy and the Fukushima accident of March 11, 2011—even though it was his influence and vision of a fully atomic-powered Japan, with firm support by the US, that had led Japan as a nation to that place.

Demands have arisen in the wake of Fukushima for Japanese government nuclear regulators and politicians to be more independent of the nuclear power industry that they are supposed to be keeping an eye on.71 But looking to the future, there is one more party that equally needs to be separated from Japan’s nuclear power establishment (or “nuclear power village,” as it’s called), and that is the Japanese press. The media in Japan, like the government regulators, have been intimate with the nation’s atomic energy club from the very start. Until the day when the Japanese news media are finally weaned off the nation’s nuclear power village, the whole truth about nuclear energy—and the corruption and great public dangers surrounding it—will continue to be mostly unseen and unknown in this country. Disengaging the Japanese press from the nuclear powers-that-be will not be easy, but it must be done.

One place to start would be to begin dismantling the Japanese kisha club system. This too will be no easy task, given the deep historical and institutional roots of the system. But if the toothless Japanese lapdog press of today is to regain the public credibility at home and abroad that it lost in the wake of the Fukushima nuclear power plant disaster—and if it is to earn the respect that it would deserve as a true watchdog of the people over Japan’s centers of power in the future—then it is the Japanese news media that must now take the first steps in that direction on this long and uncertain road away from Fukushima.

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BRIAN COVERT is an independent journalist and author based in Kawanishi, western Japan. He has worked for United Press International news service in Japan, as staff reporter for three of Japan’s English-language daily newspapers, and as contributor to Japanese and overseas newspapers and magazines. He is currently a lecturer in the Department of Media, Journalism, and Communications at Doshisha University in Kyoto.

Notes

1. David McNeill, “Fukushima Lays Bare Japanese Media’s Ties to Top,” Japan Times, January 8, 2012, http://www.japantimes.co.jp/text/fl20120108x3.html.
2. Five of the world’s top ten daily newspapers with the highest circulations are based in Japan. See Jochen Legewie, Japan’s Media: Inside and Outside Powerbrokers, Communications & Network Consulting Japan K.K. (Tokyo, March 2010), 3, http://www.cnc-communications.com/fileadmin/user_upload/Publications/2010_03_Japans_Media_Booklet_2nd_Ed_JL.pdf.
3. Simon Partner, Assembled in Japan: Electrical Goods and the Making of the Japanese Consumer (Berkeley: University of California Press, 1999), 74.
4. August Kengelbacher, “Great Kanto Earthquake 1923,” http://www.japan-guide.com/a/earthquake.
5. Sonia Ryang, “The Tongue That Divided Life and Death: The 1923 Tokyo Earthquake and the Massacre of Koreans,” Japan Focus, September 3, 2007, http://www.japanfocus.org/-Sonia-Ryang/2513. For similar accounts, see also Mikiso Hane, Reflections on the Way to the Gallows: Rebel Women in Prewar Japan (Berkeley: University of California Press, 1988), esp. 171, 176, 191–92; and Asahi Shimbun newspaper, “Murder of an Anarchist Recalled: Suppression of News in the Wake of the 1923 Tokyo Earthquake,” Japan Focus, November 5, 2007, http://www.japanfocus.org/-The_Asahi_Shinbun_Cultural_Research_Center-/2569.
6. Shinichi Sano, Kyokaiden: Shoriki Matsutaro to Kagemusha-tachi no Isseiki (ge) [Biography of Matsutaro Shoriki, vol. 2] (Tokyo: Bungeishunju, 2011), 442.
7. Sano, Kyokaiden: Shoriki Matsutaro to Kagemusha-tachi no Isseiki (jo) [Biography of Matsutaro Shoriki, vol. 1] (Tokyo: Bungeishunju, 2011), 217.
8. “The Press: Lord High Publisher,” Time, August 16, 1954, 74.
9. Partner, Assembled in Japan, 172.
10. Ben-Ami Shillony, Politics and Culture in Wartime Japan (New York: Oxford University Press, 1981), 99.
11. Sano, Kyokaiden [vol. 2], 446.
12. Partner, Assembled in Japan, 76; see also Shillony, Politics and Culture, 105.
13. “1,000 Ask Trial for Publisher,” New York Times, October 30, 1945; see also Sano, Kyokaiden [vol. 1], 438–44.
14. “Yomiuri Chairman Defends Actions in Internal Feud,” Asahi Shimbun, November 29, 2011, http://ajw.asahi.com/article/behind_news/AJ201111290056b.
15. Shinsho Hanayama, The Way of Deliverance: Three Years with the Condemned Japanese War Criminals (New York: Charles Scribner’s Sons, 1950), 4; see also Partner, Assembled in Japan, 73–74.
16. Hanayama, The Way of Deliverance, 5.
17. “Ruth’s Ex-Pal Held as Jap [sic] War Criminal,” Washington Post, December 6, 1945, 15.
18. Ibid.
19. United States Department of State, “Milestones 1945–1952: Korean War and Japan’s Recovery,” http://history.state.gov/milestones/1945-1952/KoreanWar.
20. David E. Kaplan and Alec Dubro, Yakuza—The Explosive Account of Japan’s Criminal Underworld (London: Futura Publications, 1987), esp. 69–71, 75–78.
21. Edward Uhlan and Dana L. Thomas, Shoriki: Miracle Man of Japan—A Biography (New York: Exposition Press, 1957), 181–82.
22. Partner, Assembled in Japan, 83.
23. Ibid., 78–79.
24. Ibid., 84.
25. Ibid., 78.
26. Ibid., 83–84.
27. Sano, Kyokaiden [vol. 2], 449; see also Partner, Assembled in Japan, 84.
28. Partner, Assembled in Japan, 84–86.
29. Edward F. Ryan, untitled article from Washington Post archives, September 22, 1954, 2.
30. “A Reactor for Japan,” Washington Post, September 23, 1954, 18.
31. “Belgium and Japan Seek 1st ‘A-for-Peace’ Power,” Washington Post, February 15, 1955, 5.
32. Sano, Kyokaiden [vol. 2], 450.
33. Ran Zwigenberg, “‘The Coming of a Second Sun’: The 1956 Atoms for Peace Exhibit in Hiroshima and Japan’s Embrace of Nuclear Power,” Japan Focus, February 6, 2012, http://japanfocus
.org/-Ran-Zwigenberg/3685.
34. Robert Trumbull, “Japan Welcomes Peace Atom Show,” New York Times, November 1, 1955, 14.
35. Tetsuo Arima, Genpatsu—Shoriki—CIA [Nuclear power—Shoriki—The CIA] (Tokyo: Shinchosha, 2011), 119.
36. Japan Atomic Energy Commission, text of letter from US ambassador in Japan John M. Allison to Matsutaro Shoriki, January 13, 1956, http://www.aec.go.jp/jicst/NC/about/ugoki/geppou/V01/N01/19560510V01N01.HTML.
37. Yuki Tanaka and Peter Kuznick, “Japan, the Atomic Bomb, and the ‘Peaceful Uses of Nuclear Power,’” Japan Focus, May 2, 2011, http://www.japanfocus.org/-Yuki-TANAKA/3521. See also Zwigenberg, “‘The Coming of a Second Sun,’” Japan Focus.
38. Ran Zwigenberg, “‘The Coming of a Second Sun.’”
39. Tetsuo Arima, Nippon Terebi to CIA—Hakkutsu-sareta “Shoriki Fairu” [NTV and the CIA—The uncovered “Shoriki files”] (Tokyo: Takarajima-sha, 2011), 30.
40. Arima, Genpatsu—Shoriki—CIA, 113; see also “From Hiroshima to Fukushima: The Political Background to the Nuclear Disaster in Japan,” World Socialist Web Site, June 23, 2011, http://wsws.org/articles/2011/jun2011/fuku-j23.shtml. Quotation is retranslated into English from the Japanese original.
41. Arima, Genpatsu—Shoriki—CIA, 112.
42. National Archives and Records Administration, “Cryptonyms and Terms in Declassified CIA Files—Nazi War Crimes and Japanese Imperial Government Records Disclosure Acts,” dated June 2007, http://www.archives.gov/iwg/declassified-records/rg-263-cia-records/second-release-lexicon.pdf. Accessed on March 13, 2012.
43. Ibid.
44. Arima, Nippon Terebi to CIA, 63; see also Partner, Assembled in Japan, 86–87.
45. Arima, Genpatsu—Shoriki—CIA, 58.
46. Arima, Nippon Terebi to CIA. A copy of the document is partially displayed on the book’s front cover.
47. Arima, Genpatsu—Shoriki—CIA, 110; see also “Tsunami: Japan’s Post-Fukushima Future,” Foreign Policy, 2011, 198, http://www.foreignpolicy.com/files/tutEkfeUr4fOa3v/06282011_Tsunami.pdf.
48. Partner, Assembled in Japan, 228.
49. “Advertising Expenditure of Leading Corporations (FY 2010),” Nikkei Advertising Research Institute, http://nikkei-koken.com/surveys/survey14.html.
50. “Toden Kokoku-hi 90-oku en no Hamon” [Ripple effect of Tokyo Electric’s nine billion yen advertising expenses], Tokyo Shimbun, May 17, 2011, 26–27. The figure of nine billion yen is for 2009.
51. Translated commentary by Osamu Aoki on Asahi Newstar cable TV program Nyusu no Me [Eyes of the news], April 7, 2011, http://www.youtube.com/watch?v=-2Ma4eWhX_U&feature=related.
52. For an overview of how the “kisha club” system works and other related issues, see Tomoomi Mori, “Japan’s News Media,” in Censored 2007: The Top 25 Censored Stories, eds. Peter Phillips and Project Censored (New York: Seven Stories Press, 2006), 367–82.
53. Kanako Takahara, “Tight-lipped Tepco Lays Bare Exclusivity of Press Clubs,” Japan Times, May 3, 2011, http://www.japantimes.co.jp/text/nn20110503f1.html.
54. Ibid.
55. Days Japan magazine, “Genpatsu Jiko Hodo no Kensho Shiryo” [Verified documentation of nuclear accident reporting], February 2012, 41.
56. Kenichi Asano, “BBC ni yoru Jiko Hodo” [Accident reporting by the BBC], Days Japan, February 2012, 60–61; see also “Japan Earthquake: Concerns over Nuclear Power Stations,” BBC News, March 11, 2011, http://www.bbc.co.uk/news/world-asia-pacific-12719707.
57. “Japan’s Desperate Nuclear Gypsies,” Al Jazeera English, June 30, 2011, http://www.aljazeera.com/video/asia/2011/06/2011630173015833205.html.
58. Nuclear Ginza, Small World Productions, Cardiff, England, 1995, http://www.smallworldtv.co.uk/public/main.cfm?m1=c_75&m2=c_2&m3=c_56&m4=e_0. A Japanese subtitled version of the film can be viewed at http://www.youtube.com/watch?v=CNq0qyQJ5xs.
59. Tomohiko Suzuki, press conference at the Foreign Correspondents’ Club of Japan, Tokyo, December 15, 2011, http://www.youtube.com/watch?v=6_lYwNyTyiU. Suzuki goes into more detail in his book Yakuza to Genpatsu [The yakuza and nuclear power] (Tokyo: Bungeishunju, 2011).
60. Andrew Roth, “Japan’s Press Revolution,” Nation, March 16, 1946, 315.
61. “The Press: Lord High Publisher,” Time, 1954, 76.
62. Herb Heft, “Baseball Men Cite Good-Will Created on Trip by Giants,” Washington Post, February 7, 1954:C2.
63. Foster Hailey, “Japan’s Mr. Atom,” New York Times Magazine, November 17, 1957, SM50.
64. “Show Business: Television Abroad—Come-On in Color,” Time, August 3, 1959, 57.
65. “The Press: Publishers—Bigger & Better than Anyone,” Time, May 24, 1963, 57–58. Emphasis in the original.
66. Edwin McDowell, “Obituaries: Edward Uhlan, 76, Founder and Leader Of Vanity Publisher,” New York Times, October 26, 1988, http://www.nytimes.com/1988/10/26/obituaries/edward-uhlan-76-founder-and-leader-of-vanity-publisher.html.
67. “Matsutaro Shoriki, 84, Dies; Publisher of Japanese Daily,” Washington Post, October 9, 1969, M10.
68. Richard Halloran, “Premier Miki Vows Lockheed Inquiry,” New York Times, April 4, 1976, 2.
69. Legewie, Japan’s Media: Inside and Outside Powerbrokers, 3.
70. ArtDaily.org, “Museum of Fine Arts, Boston, Announces New Chair of Art of Asia, Oceania, and Africa,” September 20, 2008, http://www.artdaily.com/index.asp?int_new=26246&int_sec=2.
71. Norimitsu Onishi and Ken Belson, “Culture of Complicity Tied to Stricken Nuclear Plant,” New York Times, April 26, 2011, http://www.nytimes.com/2011/04/27/world/asia/27collusion.html?pagewanted=all.

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